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A Little Devil in America: Notes in Praise of Black Performance
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About This Book
A stirring meditation on Black performance in America from the New York Times bestselling author of Go Ahead in the Rain At the March on Washington in 1963, Josephine Baker was fifty-seven years old, well beyond her most prolific days. But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. "I was a devil in other countries, and I was a little devil in America, too," she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it's the twenty-seven seconds in "Gimme Shelter" in which Merry Clayton wails the words "rape, murder," a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib's own personal history of love, grief, and performance. Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.
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Reviews
"It's fascinating to witness Abdurraqib go from place to place and end up somewhere unexpected, but somehow perfect."
"Abdurraqib reminds readers of the massive viewing audience's shock and awe over seeing one of the world's biggest pop icons appearing midfield at this least radical of American rituals ..."
"his writing, far from being the usual top-down music criticism, is spotted with small revelations and fleeting instances of recognition ..."
"Abdurraqib's book is a challenge not to accept the usual explanations for the performances we witness."
"Stylistically, the repeated title points to the many stories that can be told on the same subject, but it also reflects Abdurraqib's compelling ability to innovate and riff off the same introductory notes ..."
"At heart a personal essayist, [Abdurraqib] prefers to approach big themes stealthily, often from an unusual angle."
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