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Albert and the Whale

Albert and the Whale

by Philip Hoare

Pegasus Books ·2021 ·304 pages ·Art
Maybe Someday
Maybe Someday
I Index
48/99
Top of the Pile

77/99

Critics

Bottom of the Pile

20/99

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Scholars

62/99

Rating

92/99

Volume

10/99

Rating

30/99

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About This Book

An illuminating exploration of the intersection between life, art and the sea from the award-winning author of The Whale . In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition. Dürer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But his art captured more than the physical world, he also captured states of mind. Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip's experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Dürer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.


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Reviews

"Its meaning only becomes fully apparent towards the end, deepening the narrative immeasurably."

Laura Cumming· The Guardian Read review ↗ Top of the Pile

"Sebald, a kindred spirit whom he came to know."

John Williams· The New York Times Read review ↗ Top of the Pile

"His eschewal of quotation marks blurs the distinction between voices."

Charles Arrowsmith· The Washington Post Read review ↗ Top of the Pile

"Following him between them is deliberately dizzying ..."

Horatio Clare· The Spectator (UK) Read review ↗ Top of the Pile

"The author invites the reader to step inside his capacious mind, a place so magical that Albrecht Dürer may fuse with his 19th-century admirer Oscar Wilde ..."

Christoph Irmscher· The Wall Street Journal Read review ↗ Top of the Pile

"This harmonious and enviably conceived book manages it with full marks ..."

Jonathan McAloon· Financial Times Read review ↗ Top of the Pile

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