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All Things Are Too Small: Essays in Praise of Excess
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About This Book
A glorious call to throw off restraint and balance in favor of excess, abandon, and disproportion, in essays ranging from such topics as mindfulness, decluttering, David Cronenberg, and consent. In her debut essay collection, "brilliant and stylish" (The Washington Post) critic Becca Rothfeld takes on one of the most sacred cows of our time: the demand that we apply the virtues of equality and democracy to culture and aesthetics. The result is a culture that is flattened and sanitized, purged of ugliness, excess, and provocation. Our embrace of minimalism has left us spiritually impoverished. We see it in our homes, where we bring in Marie Kondo to rid them of their idiosyncrasies and darknesses. We take up mindfulness to do the same thing to our heads, emptying them of the musings, thoughts, and obsessions that make us who we are. In the bedroom, a new wave of puritanism has drained sex of its unpredictability and therefore true eroticism. In our fictions, the quest for balance has given us protagonists who aspire only to excise their appetites. We have flipped our values, Rothfeld argues: while the gap between rich and poor yawns hideously wide, we strive to compensate with egalitarianism in art, erotics, and taste, where it does not belong and where it quashes wild experiments and exuberance. Lush, provocative, and bitingly funny, All Things Are Too Small is a subversive soul cry to restore imbalance, obsession, gluttony, and ravishment to all domains of our lives.
Reviews
"It's an absolute pleasure to watch her idiosyncratic arguments unfold."
"Intellectual fare to complement the healthy pursuit of erotic transcendence."
"It is part of her scintillating achievement, in this book of appetite, to make one vow never again to use the phrase 'less is more' under any circumstances."
"It's a hard collection to like only because it demands a great deal of the reader."
"Having just recovered from a dazzling insight, we might be provoked to argue with her (one can imagine she likes it that way), and we are never bored."
"Splendidly immodest in its neo-Romantic agenda — to tear down minimalism and puritanism in its many current varieties — but, like Smith, she makes her strongest case in her essays' very form, a carnival of high-low allusion and analysis."
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