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Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California

Always Crashing in the Same Car: On Art, Crisis, and Los Angeles, California

by Matthew Specktor

Tin House ·2021 ·373 pages ·Essays
Maybe Someday
Maybe Someday
I Index
49/99
Near the Top

60/99

Critics

Maybe Someday

38/99

Readers

n/a

Scholars

55/99

Rating

66/99

Volume

50/99

Rating

26/99

Volume

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About This Book

In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor's first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother's cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or "cracking up," he embarked on an obsessive journey to make sense of the mythologies of "success" and "failure" that haunt the artist's life and the American imagination. Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It's a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists—Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others—and the author's own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives. At once deeply personal and broadly erudite, it is a story of an art form (the movies), a city (Los Angeles), and one person's attempt to create meaning out of both. Above all, Specktor creates a moving search for optimism alongside the inevitability of failure and reveals the still-resonant power of art to help us navigate the beautiful ruins that await us all.


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Reviews

"The only flaw in Always Crashing is that, at times, the author's flashbacks distract the reader from the organic flow of the prose, necessitating a reread."

Wayne Catan· Los Angeles Review of Books Read review ↗ Top of the Pile

"In the rest of this book, this elegy to failure, Specktor will deliver essays on some of the lives and losses he has been captivated by, held under the sway of people who were never exactly there."

David Thomson· London Review of Books Read review ↗ Top of the Pile

"Specktor, a novelist and film critic, calls on both skills in this fascinating look at Hollywood ..."

Publishers Weekly Read review ↗ Top of the Pile

"Writing through his troubles, Specktor offers consolatory beauty."

Lorraine Berry· Los Angeles Times Read review ↗ Near the Top

"Specktor provides his readers with a voluminous list of recommended books and films to complete this engagingly conversational, confessional, rueful, and wonderfully researched work."

Alexander Moran· Booklist Read review ↗ Near the Top

"Specktor delivers interesting pieces of criticism, reporting, and self-help in this unique memoir, but the whole falls short."

Kirkus Read review ↗ Maybe Someday

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