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American Canto

American Canto

by Olivia Nuzzi

Avid Reader Press ·2025 ·320 pages
New Release
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About This Book

A mesmerizing firsthand account of the warping of American reality over the past decade as Donald Trump has risen to dominance—from a participatory witness who got so far inside the distortion field that it swallowed her whole. Olivia Nuzzi spent a third of her life observing those in power. She became a reporter in 2014, when the political landscape began to recon­figure itself around a singular personality whom she was uniquely primed to understand. Over the next ten years, she used her access and eye for detail to chronicle his campaigns, trials, and government in blockbuster feature stories that drove the national conversation and propelled her to the heights of her profession. Then, in 2024, her personal life collided with the public interest in a scandal that cost Nuzzi her job and reputation. Amid a full-blown tabloid frenzy, Nuzzi went quiet, drove west, and spent the next year in self-imposed exile at the edge of the country, where she wrote this searing and astonishingly clear-eyed account of what she—and we—have experienced over the last decade. Nuzzi walked through hell and she took notes. The result is a brilliant and bracing reckoning with recent history from one of our sharpest political observers. Beginning in the present in California, and then turning her gaze back east and back in time, she weaves a dazzling mosaic of the Trump era: her many behind-the-scenes encounters with Trump himself, from their first meeting in Trump Tower to a wealth of revelatory conversations about his Hollywood aspirations, his dreams, his fears about being assassinated, and more; the life she led uneasily that skidded to a halt; the rise of digital surveillance and the decline of privacy; the normalization of political violence; and the collision of polarization with the democratization of information to sow doubt about every aspect of our reality. American Canto is also a powerful personal history. Nuzzi's account of growing up in working-class New Jersey as the child of alcoholics in the shadow of New York City and 9/11 is raw and moving. Her mother was angry, beautiful, and unpredictable. Her father, a loving man who supported his family as a sanitation worker, removed debris from Ground Zero. They both died young. A version of Nuzzi did, too. She approached this "kind of death" with the critical distance of a reporter. When interrogating her own mistakes, Nuzzi confesses, "I had trained my whole life in the battlefield of crisis." Despite her profession, Olivia Nuzzi has never been interested in breaking news. American Canto is not a memoir, nor a tell-all, nor a book about the president. Instead, it is something more artful and more interest­ing—a character study of a nation undergoing radical transformation in real time. It seeks to reframe our under­standing of the history we are living through from the perspective of someone who observed it from within the kaleidoscope and now sees it clearly from the other side.


Reviews

"But this moon's a lead balloon."

Alexandra Jacobs· The New York Times Read review ↗ Bottom of the Pile

"American Canto was the last real opportunity for Nuzzi to talk about what happened: tangibly, what she did to torpedo her career and personal life."

Scaachi Koul· Slate Read review ↗ Bottom of the Pile

"It refuses chronology and coherence, which makes it a challenge to extract answers to any of the many questions a reader loosely aware of her story might have ..."

Molly Fischer· The New Yorker Read review ↗ Bottom of the Pile

"In writing American Canto, while Nuzzi has broken her vow of silence — smashing it into smithereens and setting off a wave of public retribution by Lizza — she has succeeded brilliantly in her wish not to be understood."

Leigh Haber· Los Angeles Times Read review ↗ Bottom of the Pile

"And you wonder why our democracy is hanging by a thread?"

Joan Walsh· The Nation Read review ↗ Bottom of the Pile

"It reads like a Joan Didion pastiche — but it is worried and overworked in a way that Didion, a master of taut precision, would never have countenanced ..."

Becca Rothfeld· The Washington Post Read review ↗ Bottom of the Pile

"Just because you're good at writing about politics doesn't mean you should write about yourself ..."

Lily Janiak· San Francisco Chronicle Read review ↗ Bottom of the Pile

"Parts of the narrative are largely terrible."

Helen Lewis· The Atlantic Read review ↗ Bottom of the Pile

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