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Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century

Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century

by Dana Stevens

Atria Books ·2022 ·432 pages
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68/99
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59/99

Critics' Rating Index

Top of the Pile

76/99

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Scholars' Citation Index

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About This Book

From the chief film critic of Slate comes a fresh and captivating biography on comedy legend and acclaimed filmmaker Buster Keaton that also explores the evolution of film from the silent era to the 1940s.As one of the most famous faces of silent cinema, Buster Keaton was and continues to be revered for his stoic expressions, clever visual gags, and acrobatic physicality in classics such as Sherlock Jr., The General, and The Cameraman. In this spirited biography, every aspect of Buster Keaton's astonishing life is explored, from his humble beginnings in vaudeville with his parents to his meteoric rise to Hollywood stardom during the silent era. Based on vigorous research of both Keaton and the film industry, it also delves into the dark sides of fame, such as Keaton's ill-advised businesses deals and alcoholism, to his unexpected resurgence in the 1940s as his contributions as both an actor and director were finally celebrated. This is a fascinating and uniquely astounding look at both the classic era of Hollywood and one of its most beloved stars.


Reviews

"Steven's incisive, encompassing, and invigorating portrait will deepen and revitalize appreciation for his genius."

Donna Seaman· Booklist Read review ↗ Top of the Pile

"As a critic, and not a biographer, Ms."

Farran Smith Nehme· The Wall Street Journal Read review ↗ Near the Top

"A well-researched work that goes beyond the great Buster Keaton to investigate the cultural milieu that Keaton was part of and helped to create."

Emina Melonic· Los Angeles Review of Books Read review ↗ Top of the Pile

"Stevens argues that Keaton's career arc mirrors America's evolving cultural tastes, making a strong case that 'Buster Keaton belonged to the twentieth century, and it to him.' Stevens also includes wonderful mini-biographies of Keaton's contemporaries, among them groundbreaking silent filmmaker Mabel Normand and vaudevillian Bert Williams, who inspired Keaton's own work."

Publishers Weekly Read review ↗ Top of the Pile

"Stevens, in Camera Man takes an original and, in a way, more distanced approach to Keaton ..."

Adam Gopnik· The New Yorker Read review ↗ Top of the Pile

"Sometimes Stevens ventures too far afield ..."

David Kamp· The New York Times Read review ↗ Near the Top

"Stevens's acumen and analysis further elevate this book, offering insights and entertaining extrapolations on the myriad films and entertainment figures discussed within ..."

Terry Bosky· Library Journal Read review ↗ Top of the Pile

"Like the handsome, stone-faced performer himself, Camera Man has wide appeal."

Sarah Carter· BookPage Read review ↗ Near the Top

"She goes on long discourses through the life of Keaton's colleagues and contemporaries, like Roscoe Arbuckle or F."

Jo Livingstone· The New Republic Read review ↗ Near the Top

"Readers hungry for details of how Keaton made his pictures should look elsewhere."

Kirkus Read review ↗ Bottom of the Pile

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