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Can't Slow Down: How 1984 Became Pop's Blockbuster Year

Can't Slow Down: How 1984 Became Pop's Blockbuster Year

by Michaelangelo Matos

Da Capo ·2020 ·480 pages ·Music
Maybe Someday
Maybe Someday
I Index
35/99
Near the Top

52/99

Critics

Bottom of the Pile

18/99

Readers

n/a

Scholars

70/99

Rating

34/99

Volume

14/99

Rating

22/99

Volume

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About This Book

A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics ( Boogie Nights ) and TV hits ( Stranger Things ). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson ( Thriller ), Prince ( Purple Rain ), Madonna ( Like a Virgin ), Bruce Springsteen ( Born in the U.S.A. ), and George Michael (Wham!'s Make It Big ) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.


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Reviews

"In its best moments, which are frequent, Can't Slow Down feels like a breakthrough in popular musical historiography."

JACK HAMILTON· Slate Read review ↗ Top of the Pile

"veteran critic Matos avoids gooey rhapsodizing about big-name performers, instead honoring their musical brilliance while also exploring the market mechanics that undergirded their success ..."

Kirkus Read review ↗ Top of the Pile

"This robust volume provides an abundance of material here for music fans, especially those fascinated by 1980s pop culture, to savor."

June Sawyers· Booklist Read review ↗ Near the Top

"[an] unapologetic celebration of 1980s popular music ..."

Amanda Westfall· Library Journal Read review ↗ Near the Top

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