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Cinema Speculation
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84/99
Critics' Rating Index
71/99
Readers' Rating Index
85/99
Scholars' Citation Index
89/99
Volume of Reviews
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About This Book
The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.
Reviews
"His genre and exploitation film roots are never far from view, but his holistic appreciation of cinema as an art form is front and center."
"He offers his own highly subjective criticisms – he's not the biggest Paul Newman fan – and, in the better chapters, he even does some reporting ..."
"a brilliant and passionate take on the 1960s and '70s films that shaped him ..."
"It's an experience, he says, he's been trying to replicate ever since."
"Tarantino brings the heat and exuberance of his movie expertise, storytelling artistry, and sharp humor to a dynamic mix of eyebrow-raising personal stories, zesty film history, and kickass film criticism."
"Is he leaving the analysis – the speculation – up to the reader?"
"What unites the various threads and themes of this book is the broad autobiographical truth that he was a filmgoer before he was a filmmaker, and will remain so for far longer."
"Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something ..."
"Curiously, though, he makes some rookie errors."
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