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Consent

Consent

by Vanessa Springora, tr. Natasha Lehrer

HarperVia ·2020 ·208 pages ·Memoir
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Scholars

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About This Book

Sometimes, all it takes is a single voice to shatter the silence of complicity. Thirty years ago, Vanessa Springora was the teenage muse of one of the country's most celebrated writers, a footnote in the narrative of a very influential man in the French literary world. At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France's leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known. Consent is the story of one precocious young girl's stolen adolescence. Devastating in its honesty, Vanessa's painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country's most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older. Drawing parallels between children's fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women's lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children.


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Reviews

"elegant, focused prose, fluidly translated by Natasha Lehrer ..."

Lauren Elkin· The Guardian Read review ↗ Top of the Pile

"She is a graceful stylist, though her story also burns with a sense of purpose, a clarifying force."

Katie Roiphe· The New York Times Read review ↗ Top of the Pile

"Consent is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury ..."

Parul Sehgal· The New York Times Read review ↗ Top of the Pile

"She's sarcastic and derisive on the mystique surrounding Matzneff's alleged genius."

Laura Miller· Slate Read review ↗ Top of the Pile

"How can the lamb be allowed to wander off with the ogre?"

Melanie Reid· The Times (UK) Read review ↗ Top of the Pile

"She is unsentimental and writes with blistering honesty."

Kate Saunders· The Times (UK) Read review ↗ Top of the Pile

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