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Cool Town: How Athens, Georgia, Launched Alternative Music and Changed American Culture
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About This Book
In the summer of 1978, the B-52's conquered the New York underground. A year later, the band's self-titled debut album burst onto the Billboard charts, capturing the imagination of fans and music critics worldwide. The fact that the group had formed in the sleepy southern college town of Athens, Georgia, only increased the fascination. Soon, more Athens bands followed the B-52's into the vanguard of the new American music that would come to be known as alternative, including R.E.M., who catapulted over the course of the 1980s to the top of the musical mainstream. As acts like the B-52's, R.E.M., and Pylon drew the eyes of New York tastemakers southward, they discovered in Athens an unexpected mecca of music, experimental art, DIY spirit, and progressive politics--a creative underground as vibrant as any to be found in the country's major cities. In Athens in the eighties, if you were young and willing to live without much money, anything seemed possible. Cool Town reveals the passion, vitality, and enduring significance of a bohemian scene that became a model for others to follow. Grace Elizabeth Hale experienced the Athens scene as a student, small-business owner, and band member. Blending personal recollection with a historian's eye, she reconstructs the networks of bands, artists, and friends that drew on the things at hand to make a new art of the possible, transforming American culture along the way. In a story full of music and brimming with hope, Hale shows how an unlikely cast of characters in an unlikely place made a surprising and beautiful new world.
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Reviews
"She is smart on the way Athens art and music were defined by the tension between the rejection and embrace of Southern culture, both aesthetically and politically."
"One of the most fascinating—and certainly one of the knottiest—threads in the book has to do with the Southern identity formation that was so crucial to the Athens scene ..."
"It propagated a thrift-store, sexually fluid, avant-pop aesthetic that seemed more accessible than the extremes of punk or of successors such as goth."
"This exhaustive history will please fans of obscure indie movements."
"The writing at times can get knotted with hipster detail, but Hale's rich, personal narrative draws readers in ..."
"A welcome history of an overlooked milieu, one that provides ample inspiration for art makers today."
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