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Corporate Rock Sucks: The Rise and Fall of SST Records

Corporate Rock Sucks: The Rise and Fall of SST Records

by Jim Ruland

Da Capo ·2022 ·432 pages ·Music
Maybe Someday
Maybe Someday
I Index
42/99
Maybe Someday

34/99

Critics

Maybe Someday

49/99

Readers

n/a

Scholars

15/99

Rating

52/99

Volume

52/99

Rating

46/99

Volume

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About This Book

A no-holds-barred narrative history of the iconic label that brought the world Black Flag, Hüsker Dü, Sonic Youth, Soundgarden, and more, by the co-author of Do What You Want and My Damage. Greg Ginn started SST Records in the sleepy beach town of Hermosa Beach, CA, to supply ham radio enthusiasts with tuners and transmitters. But when Ginn wanted to launch his band, Black Flag, no one was willing to take them on. Determined to bring his music to the masses, Ginn turned SST into a record label. On the back of Black Flag's relentless touring, guerilla marketing, and refusal to back down, SST became the sound of the underground. In Corporate Rock Sucks, music journalist Jim Ruland relays the unvarnished story of SST Records, from its remarkable rise in notoriety to its infamous downfall. With records by Black Flag, Minutemen, Hüsker Dü , Bad Brains, Sonic Youth, Dinosaur Jr, Screaming Trees, Soundgarden, and scores of obscure yet influential bands, SST was the most popular indie label by the mid-80s--until a tsunami of legal jeopardy, financial peril, and dysfunctional management brought the empire tumbling down. Throughout this investigative deep-dive, Ruland leads readers through SST's tumultuous history and epic catalog. Featuring never-before-seen interviews with the label's former employees, as well as musicians, managers, producers, photographers, video directors, and label heads, Corporate Rock Sucks presents a definitive narrative history of the '80s punk and alternative rock scenes, and shows how the music industry was changed forever.


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Reviews

"An entertaining celebration of punk rock's golden age and a cautionary tale about overreach and excess."

Kirkus Read review ↗ Near the Top

"Forensic in tracking how SST brought new business savvy to punk."

Michael Friedrich· The New Republic Read review ↗ Near the Top

"Rock fans will be fascinated."

David P. Szatmary· Library Journal Read review ↗ Near the Top

"Unfortunately, though he notes many bands' reasons for leaving (including being forced by the label to tour endlessly), Ruland never fully elucidates how the label imploded so spectacularly."

Publishers Weekly Read review ↗ Near the Top

"He does assume a readership that knows the bands well, which makes for limp music criticism at times ..."

Mark Athitakis· Los Angeles Times Read review ↗ Maybe Someday

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