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Craft in the Real World: Rethinking Fiction Writing and Workshopping
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36/99
Critics
78/99
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Scholars
70/99
Rating
3/99
Volume
93/99
Rating
64/99
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About This Book
A groundbreaking resource for fiction writers, teachers, and students, this manifesto and practical guide challenges current models of craft and the writing workshop by showing how they fail marginalized writers, and how cultural expectations inform storytelling. The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces? Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."
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Reviews
"The book is rife with anecdotes of insensitive or racist comments he heard during his training, experiences that will no doubt feel familiar to many writers of color ..."
"While the gambit of Craft in the Real World is decidedly unrevolutionary (adjusting the pedagogy of writers' workshops is a pretty tame proposal), writers and readers alike stand to benefit from Salesses's insights into literary production and the insipid ways in which the creative industries perpetuate milquetoast, dominant-culture artistic production ..."
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