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Ducks: Two Years in the Oil Sands
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About This Book
Celebrated cartoonist Kate Beaton vividly presents the untold story of Canada. Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates. Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world's largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.
Reviews
"Her impressive career will be propelled still further by this engrossing and powerful memoir."
"Beaton recounts her own encounters with harassment and assault, but she treats these stories with sympathy."
"She puts everything, good and bad, into the book ..."
"Beaton draws on those crucial experiences to create an impassioned, astonishing memoir ..."
"Camp life can feel as bleak as the book's monochromatic grays, and we encounter so many stoic faces that we begin to question what lurks behind the sudden smile of a co-worker."
"An immersive, devastating portrait ..."
"Under the dust jacket of her book, Beaton has hidden the silhouette of a duck, embossed into the cover with a pretty rainbow-wrapping-paper foil that shimmers like an oil slick."
"The Beaton you know and love is undoubtedly here, from wry moments of comedy to her deceptively simple line work ..."
"An unflinchingly honest coming-of-age memoir and unforgettable depiction of capitalism's dehumanizing effect on the individual."
"Ambitiously complex ..."
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