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Ducks: Two Years in the Oil Sands

Ducks: Two Years in the Oil Sands

by Kate Beaton

Drawn and Quarterly ·2022 ·430 pages
Best of 2022 Top 25 Overall
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92/99
Top of the Pile

92/99

Critics' Rating Index

Top of the Pile

94/99

Readers' Rating Index

Top of the Pile

89/99

Scholars' Citation Index

95/99

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About This Book

Celebrated cartoonist Kate Beaton vividly presents the untold story of Canada. Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates. Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world's largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.


Reviews

"With strong prose and striking art, she captures the complexities of a place often defined by stark binaries: the Alberta oil sands ..."

Laura Sackton· BookPage Read review ↗ Top of the Pile

"The homespun drawings and intuitive pacing capture both the dreariness and occasional splendor of this frozen world, with flashes of the author's trademark humor in the banter between her crusty coworkers."

Publishers Weekly Read review ↗ Top of the Pile

"Beaton draws on those crucial experiences to create an impassioned, astonishing memoir ..."

Terry Hong· Shelf Awareness Read review ↗ Top of the Pile

"That's understandable considering it's a journalistic undertaking, not a high-spirited, episodic strip."

ETELKA LEHOCZKY· NPR Read review ↗ Near the Top

"An unflinchingly honest coming-of-age memoir and unforgettable depiction of capitalism's dehumanizing effect on the individual."

Tom Batten· Library Journal Read review ↗ Near the Top

"Beaton's soulful masterwork ..."

Michael Cavna· The Washington Post Read review ↗ Top of the Pile

"Beaton captures numerous poignant, sometimes heartbreaking moments throughout the book, but the cumulative effect of her many stories is even more impressive."

Kirkus Read review ↗ Top of the Pile

"But danger and darkness loom ..."

James Smart· The Guardian Read review ↗ Top of the Pile

"Yes, it's funny at moments; Beaton's low-key wryness is present and correct, and her drawings of people are as charming and as expressive as ever."

Rachel Cooke· The Guardian Read review ↗ Top of the Pile

"Beaton efficiently conveys what it was like to be in a part of the world that often felt unfit for life of any kind."

Emily Bobrow· The Wall Street Journal Read review ↗ Near the Top

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