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Ducks: Two Years in the Oil Sands

Ducks: Two Years in the Oil Sands

by Kate Beaton

Drawn and Quarterly ·2022 ·430 pages
Best of 2022 Top 25 Overall
Top of the Pile
Top of the Pile
I Index
92/99
Top of the Pile

92/99

Critics' Rating Index

Top of the Pile

94/99

Readers' Rating Index

Top of the Pile

89/99

Scholars' Citation Index

95/99

Volume of Reviews

92/99

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About This Book

Celebrated cartoonist Kate Beaton vividly presents the untold story of Canada. Before there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant fame, there was Katie Beaton of the Cape Breton Beatons, specifically Mabou, a tight-knit seaside community where the lobster is as abundant as beaches, fiddles, and Gaelic folk songs. After university, Beaton heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coasters who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Beaton will be far more than she anticipates. Arriving in Fort McMurray, Beaton finds work in the lucrative camps owned and operated by the world's largest oil companies. Being one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. She encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. Her wounds may never heal. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full-length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.


Reviews

"Beaton paid off her loan and returned to her beloved Cape Breton."

James Smart· The Guardian Read review ↗ Top of the Pile

"An unflinchingly honest coming-of-age memoir and unforgettable depiction of capitalism's dehumanizing effect on the individual."

Tom Batten· Library Journal Read review ↗ Near the Top

"That's understandable considering it's a journalistic undertaking, not a high-spirited, episodic strip."

ETELKA LEHOCZKY· NPR Read review ↗ Near the Top

"Her panels are strikingly emotive: furrowed eyebrows demanding attention, an undecorated artificial Christmas tree on its side, clenched fingers during a difficult conversation."

Terry Hong· Shelf Awareness Read review ↗ Top of the Pile

"Beaton's soulful masterwork ..."

Michael Cavna· The Washington Post Read review ↗ Top of the Pile

"With patience, empathy, a journalist's eye for detail and a novelist's ear for dialogue, Ms."

Emily Bobrow· The Wall Street Journal Read review ↗ Near the Top

"What a difficult, gorgeous and abidingly humane book."

Rachel Cooke· The Guardian Read review ↗ Top of the Pile

"A powerful account of the ongoing harm of patriarchal violence, and an equally powerful testament to what is possible when we pay attention, seek out each other's humanity and honor the hard truths alongside the beautiful."

Laura Sackton· BookPage Read review ↗ Top of the Pile

"Beaton makes a shattering statement on the costs of ignorance and neglect endemic in the fuel industry, in both powerful discussions of its sociopolitical ramifications and her own keenly observed personal story."

Publishers Weekly Read review ↗ Top of the Pile

"She has also put her skill at omission to new uses."

Sam Thielman· The New Yorker Read review ↗ Top of the Pile

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