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Eliot After "The Waste Land"
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About This Book
Young Eliot: From St. Louis to "The Waste Land" was hailed as "exceptional" and "assiduous" ( The New York Times ). Robert Crawford's meticulous, incisive scholarship continues in Eliot After "The Waste Land" , an invaluable record of the revolutionary modernist, visionary poet, and troubled man. After being kept from the public for more than fifty years, the letters between T. S. Eliot and his longtime love and muse Emily Hale were unsealed in 2020. Drawing on these intimate exchanges and on countless interviews and archives, as well as on Eliot's own poetry and prose, the award-winning biographer Robert Crawford completes the narrative he began in Young Eliot . Eliot After "The Waste Land" , the long-awaited second volume of Crawford's magisterial, meticulous portrait of the twentieth century's most significant poet, tells the story of the mature Eliot during his years as a world-renowned writer and intellectual, including his complex interior life. Chronicling Eliot's time as an exhausted bank employee after the publication of The Waste Land through the emotional turmoil of the 1920s and 1930s and his years as a firewatcher in bombed wartime London, Crawford shows us the public and personal experiences that helped inspire Eliot's later masterpieces. Crawford describes the poet's conversion to Anglo-Catholicism, his separation from Vivien Haigh-Wood and his happy second marriage to Valerie Fletcher, his editorship at Faber and Faber, his Nobel Prize, his great work Four Quartets , and his adventures in the theater. Crawford presents this complex and remarkable man not as a literary monument but as a human as husband, lover, and widower; as banker, editor, playwright, and publisher; and most of all as an epoch-shaping poet struggling to make art amid personal disasters.
Reviews
"Exemplary literary scholarship."
"Crawford remains sharp on the legacy of Eliot's early poems and the way the qualities of certain personae from them surface in other contexts when Eliot is trying to make sense of himself ..."
"Crawford surveys Eliot's life after the publication of The Waste Land (1922), he wisely doesn't aim at new 'readings' of Eliot's poems, although he is careful not to neglect any one of them ..."
"So while these often harrowing revelations do grant us deeper insight into Eliot and consequently into his work, it is ultimately the poetry itself — and the criticism and drama — that we care about."
"In this dismayingly thorough second volume of his biography of the poet, Eliot: After The Waste Land, Robert Crawford digs through the drifts, heaping shovelfuls of speeches and honorary degrees on to the helpless reader...It is our privilege to witness the author of The Waste Land (1922) engaging in such scintillating activities as 'speaking at a ."
"The Nobel-winning poet and playwright Thomas Stearns Eliot (1888–1965) claws his way out of modernist despondency in this revelatory biography from Crawford...The author surveys the American-born Eliot's life in London after the 1922 publication of The Waste Land, sharply dissecting the tensions between the public acclaim he received and his private turmoil and angst, with his political conservatism (and antisemitism), and in the moral certitudes of the Anglican Church, which he embraced in a religious turn that baffled other modernist literati...Braiding piquant detail with rich analysis ('In his life, he worried about his hernia; in his poetry, he turned again to structuring an account of modern existence on an ancient fertility ritual..."
"Weaving together an enormous amount of material in exhaustive, sometimes exhausting detail, Crawford's magisterial biography provides the fullest account to date of how Eliot transmuted his messy life and private struggles into art."
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