Famesick
by
77/99
Critics' Rating Index
78/99
Readers' Rating Index
n/a
Scholars' Citation Index
94/99
Volume of Reviews
99/99
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About This Book
In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain – and begins to control your every move – being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.
Reviews
"Doesn't have heroes or villains, just several people trying their best and still failing."
"Frank...unsparing ..."
"What I longed for more of, in Famesick, was what the writer Leslie Jamison has called 'the infinitude of any given life as a site of reckoning and truth.' The paradox of Famesick seems to be that the more famous you become, the less you have to defend turning yourself into a subject."
"There are moments big and small where her decision-making seems questionable ..."
"Famesick ends with Dunham striving to sustain the experience of embodiment."
"On page and on screen, few people are willing to be as human as Lena Dunham."
"Weaves a familiar tale: a preternaturally talented, hard-working young woman finds herself thrust into the glittering talons of the Hollywood dream machine ..."
"Fascinating (and at times dishy) ..."
"It has a whiff of the old Hollywood tell-all, indie edition, with trash bags for curtains in an Eagle Rock group house ..."
"But in its portrayal of the ecstasy, heartbreak and sheer thrill of what it is to be young and lost, Famesick reaffirms Dunham's status as a generational voice."
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