Home Books Florine Stettheimer: A Biography

Florine Stettheimer: A Biography

Florine Stettheimer: A Biography

by Barbara Bloemink

Hirmer Publishers ·2022 ·432 pages
Maybe Someday
Maybe Someday
I Index
44/99
Bottom of the Pile

20/99

Critics' Rating Index

Near the Top

68/99

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About This Book

Lauded by the New Yorker as one of "The Best Books of 2022 So Far," this comprehensive biography establishes Florine Stettheimer as one of the most innovative artists of the early twentieth century. Florine Stettheimer was a feminist, multi-media artist who documented New York City's growth as the center of cultural life, finance, and entertainment between the World Wars. During her first forty years, spent mostly in Europe, Florine Stettheimer studied academic painting and was aware of the earliest modernist styles prior to most American artists. Returning to New York, she and her sisters led an acclaimed salon for major avant-garde cultural figures including Marcel Duchamp, the Stieglitz circle, and numerous poets, dancers, and writers. During her life, Stettheimer showed her innovative paintings in more than forty of the most important museum exhibits and salons. She also wrote poetry, designed unique furniture, and gained international fame for the sets and costumes she created for the avant-garde opera, Four Saints in Three Acts . Stettheimer's work was also socially she painted several identity-issue paintings, addressing African American segregation, Jewish bigotry, fluid sexuality, and women's new independence. This biography presents one of the first comprehensive readings of Stettheimer's art. Barbara Bloemink establishes Stettheimer's place as one of the twentieth century's most significant and progressive artists and examines why her unique work remains relevant today.


Reviews

"Bloemink also does the necessary work of putting pictorial circumstance into social context: she discovers, for instance, that an ice-skating picture long thought to depict Rockefeller Center actually shows a forgotten rink in Central Park, near Columbus Circle, and she explains what this urban space looked like and meant to New Yorkers at that time."

Adam Gopnik· The New Yorker Read review ↗ Near the Top

"It is only in a few honest paragraphs in the epilogue, where Bloemink admits the artist wasn't 'particularly nice,' that we get a hint of the book that could have been ..."

Kate Sutton· Bookforum Read review ↗ Maybe Someday

"Bloemink not only guides us toward seeing Stettheimer but almost to 'hearing' her as well."

Tim Page· The Wall Street Journal Read review ↗ Near the Top

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