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Hits, Flops, and Other Illusions: My Fortysomething Years in Hollywood

Hits, Flops, and Other Illusions: My Fortysomething Years in Hollywood

by Ed Zwick

Gallery Books ·2024 ·304 pages ·Essays
Near the Top
Near the Top
I Index
68/99
Near the Top

71/99

Critics

Near the Top

66/99

Readers

n/a

Scholars

65/99

Rating

77/99

Volume

50/99

Rating

83/99

Volume

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About This Book

This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood. "I'll be dropping a few names," Ed Zwick confesses in the introduction to his book. "Over the years I have worked with self-proclaimed masters-of-the-universe, unheralded geniuses, hacks, sociopaths, savants, and saints." He has encountered these Hollywood types during four decades of directing, producing, and writing projects that have collectively received eighteen Academy Award nominations (seven wins) and sixty-seven Emmy nominations (twenty-two wins). Though there are many factors behind such success, including luck and the contributions of his creative partner Marshall Herskovitz, he's known to have a special talent for bringing out the best in the people he's worked with, especially the actors. In those intense collaborations, he's sought to discover the small pieces of connective tissue, vulnerability, and fellowship that can help an actor realize their character in full. Talents whom he spotted early include Brad Pitt, Matt Damon, Denzel Washington, Claire Danes, and Jared Leto. Established stars he worked closely with include Leonardo DiCaprio, Anthony Hopkins, Tom Cruise, Julia Roberts, Anne Hathaway, Daniel Craig, Jake Gyllenhaal, Bruce Willis, Demi Moore, and Jennifer Connelly. He also sued Harvey Weinstein over the production of Shakespeare in Love —and won. He shares personal stories about all these people, and more. Written mostly with love, sometimes with rue, this memoir is also a meditation on working, sprinkled throughout with tips for anyone who has ever imagined writing, directing, or producing for the screen. Fans with an appreciation for the beautiful mysteries—as well as the unsightly, often comic truths—of crafting film and television won't want to miss it.


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Reviews

"Filled with both behind-the-scenes anecdotes, including his difficulties with Matthew Broderick on Glory and his attempts to wrangle a young Julia Roberts for Shakespeare in Love, and his pointed and insightful tips for directing and writing and thoughtful meditations on making a life in the arts, there's plenty to enjoy here for film buffs and aspiring creatives alike."

Kristine Huntley· Booklist Read review ↗ Top of the Pile

"Zwick writes briskly and warmly, with a clear eye to keeping things moving."

Rebecca Nicholson· The Guardian Read review ↗ Top of the Pile

"...a rollicking career retrospective that looks back at temperamental actors, vengeful studio heads, and the mysterious alchemy that governs great filmmaking ..."

Publishers Weekly Read review ↗ Top of the Pile

"None of the dish Zwick delivers is very spicy or surprising—DiCaprio likes women, Cruise is intense, Brad Pitt has an ego, Shia LaBeouf is mercurial—but it explains how easily personality clashes can derail a project and how a good director manages the difficult dance between art and commerce in an industry overflowing with narcissists."

Kirkus Read review ↗ Near the Top

"Although Zwick's accomplishments are numerous, he eschews self-congratulation in favor of arguing for the power of storytelling to enrich the lives of both audiences and creators."

Sara Shreve· Library Journal Read review ↗ Near the Top

"Zwick has seen things and done things, and he's reached a stage of his career—and, 15 years after being diagnosed with non-Hodgkin's lymphoma, in his life—where he's unafraid whom he might offend ..."

Chris Klimek· The Washington Post Read review ↗ Near the Top

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