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Holding the Note: Profiles in Popular Music

Holding the Note: Profiles in Popular Music

by David Remnick

Knopf ·2023 ·304 pages ·Music
Maybe Someday
Maybe Someday
I Index
47/99
Maybe Someday

40/99

Critics

Near the Top

54/99

Readers

n/a

Scholars

27/99

Rating

52/99

Volume

67/99

Rating

41/99

Volume

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About This Book

NEW YORK TIMES BEST SELLER • The Pulitzer Prize–winning journalist and editor of The New Yorker gathers his writing on some of the essential musicians of our time—intimate portraits of Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more. The greatest popular songs, whether it's Aretha Franklin singing "Respect" or Bob Dylan performing "Blind Willie McTell," have a way of embedding themselves in our memories. You remember a time and a place and a feeling when you hear that song again. In Holding the Note , David Remnick writes about the lives and work of some of the greatest musicians, songwriters, and performers of the past fifty years. He portrays a series of musical lives and their unique encounters with the passing of that essential element of time. From Cohen's performing debut, when his stage fright was so debilitating he couldn't get through "Suzanne," to Franklin's iconic mink-drop at the Kennedy Center, Holding the Note delivers a view of some of the greatest creative minds of our time written with a lifetime's passionate attachment to music that has shaped us all.


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Reviews

"His levels of access are exceptional ..."

Kitty Empire· The Guardian Read review ↗ Top of the Pile

"These are keenly observed, deeply felt, and judiciously detailed encounters of genuine communion mixing interviews, biography, and analysis, all lyrically and radiantly composed."

Donna Seaman· Booklist Read review ↗ Near the Top

"General readers might best savor this anthology of articles, a tribute to the resilience of maturing music performers, by perusing them one by one."

Frederick J. Augustyn Jr· Library Journal Read review ↗ Near the Top

"and plenty of astute observation, but the central point is that many older artists will go offstage only kicking and screaming—a little diminished, true, but full of fight ..."

Kirkus Read review ↗ Near the Top

"Repetition is an understandable risk for any collection like this, though that doesn't make the patterns less noticeable ..."

John Lingan· The Washington Post Read review ↗ Maybe Someday

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