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It Came from the Closet: Queer Reflections on Horror
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77/99
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About This Book
Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer's Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.
Reviews
"Each essay provides a plethora of fascinating details."
"To identify with a villain is to recognize that fear is a reflection—of who or what we believe capable of inevitable harm."
"Each section is also paired with a collage of images from the films at hand, paying homage to vintage horror movie posters."
"It Came from the Closet presents a subgenre of the queer essay: the horror film as reclaimed abjection ..."
"Taken together, the pieces are a brilliant display of expert criticism, wry humor, and original thinking."
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