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It Came from the Closet: Queer Reflections on Horror
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About This Book
Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient "final girl," body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer's Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.
Reviews
"Carmen Maria Machado's essay on the 2009 film Jennifer's Body is particularly sublime ..."
"To identify with a villain is to recognize that fear is a reflection—of who or what we believe capable of inevitable harm."
"Each section is also paired with a collage of images from the films at hand, paying homage to vintage horror movie posters."
"There's not a weak piece in the pack ..."
"Nearly every essay in It Came from the Closet chronologically charts a queer person's history alongside their chosen film, alternating between the personal and the ghoulish ..."
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