Home Books Kant's Little Prussian Head and Other Reasons Why…

Kant's Little Prussian Head and Other Reasons Why I Write: An Autobiography in Essays

Kant's Little Prussian Head and Other Reasons Why I Write: An Autobiography in Essays

by Claire Messud

W. W. Norton & Company ·2020 ·336 pages
Near the Top
Near the Top
I Index
52/99
Near the Top

72/99

Critics' Rating Index

Maybe Someday

32/99

Readers' Rating Index

n/a

Scholars' Citation Index

84/99

Volume of Reviews

9/99

Volume of Reader Ratings

Sign in to add to your shelf, rate, or review this book.


About This Book

A glimpse into a beloved novelist's inner world, shaped by family, art, and literature. In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine ). Kant's Little Prussian Head and Other Reasons Why I Write opens a window on Messud's own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature. In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger ; and tours her favorite paintings at Boston's Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of "a single successful sentence." Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times ).


Reviews

"Messud's personal essays are, by turns, mischievously funny, emotionally wrenching, and elegantly intellectual ..."

Donna Seaman· Booklist Read review ↗ Top of the Pile

"Messud communicates that inner life and the outer trappings of her peripatetic childhood with marvelous particularity, capturing in palpable, resonant detail various family homes and intricate familial interactions ..."

Wendy Smith· The Washington Post Read review ↗ Near the Top

"It also captures her determinedly elevated tone and vocabulary, which won't be to every reader's taste ..."

Frank Bruni· The New York Times Read review ↗ Near the Top

"Although at the peak of her creative power, Messud also seems to be casting an experienced retrospective eye over several decades of critically acclaimed writing ..."

Pauline Finch· Bookreporter Read review ↗ Top of the Pile

"Messud sets the tone in her impassioned introduction, proclaiming the importance of literature 'in a period which can feel like the dawn of a new Dark Ages' ..."

Kirkus Read review ↗ Top of the Pile

"...moving and evocative ..."

Publishers Weekly Read review ↗ Top of the Pile

"These twin examples of commitment stand as a beacon of inspiration and also, perhaps, a warning of the dangers of operating so purely and discreetly ..."

Susie Boyt· Financial Times Read review ↗ Top of the Pile

"What feels like well-crafted conciseness in the columns of a periodical comes over as abrupt between the covers of a book."

Sarah Ditum· The Spectator (UK) Read review ↗ Maybe Someday

Preview


Reader Reviews

0 reviews

Sign in to write a review.

No reader reviews yet. Be the first!