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Kant's Little Prussian Head and Other Reasons Why I Write: An Autobiography in Essays
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About This Book
A glimpse into a beloved novelist's inner world, shaped by family, art, and literature. In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine ). Kant's Little Prussian Head and Other Reasons Why I Write opens a window on Messud's own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature. In twenty-six intimate, brilliant, and funny essays, Messud reflects on a childhood move from her Connecticut home to Australia; the complex relationship between her modern Canadian mother and a fiercely single French Catholic aunt; and a trip to Beirut, where her pied-noir father had once lived, while he was dying. She meditates on contemporary classics from Kazuo Ishiguro, Teju Cole, Rachel Cusk, and Valeria Luiselli; examines three facets of Albert Camus and The Stranger ; and tours her favorite paintings at Boston's Museum of Fine Arts. In the luminous title essay, she explores her drive to write, born of the magic of sharing language and the transformative powers of "a single successful sentence." Together, these essays show the inner workings of a dazzling literary mind. Crafting a vivid portrait of a life in celebration of the power of literature, Messud proves once again "an absolute master storyteller" (Rebecca Carroll, Los Angeles Times ).
Reviews
"She moseys, she circles, she lies in wait."
"...moving and evocative ..."
"What feels like well-crafted conciseness in the columns of a periodical comes over as abrupt between the covers of a book."
"Even the title of this richly drawn anthology of more than two dozen essays, Kant's Little Prussian Head and Other REasons Why I Write, speaks to the dry wit and arresting spontaneity that permeate her very personal reflections on life, great authors of the past and present, and art in various forms."
"Progressing from Messud's autobiographical essays through her criticism, we come to understand what she most values in art."
"Messud's personal essays are, by turns, mischievously funny, emotionally wrenching, and elegantly intellectual ..."
"The critical pieces in the second and third parts discuss individual works by literary and visual artists as varied as Albert Camus, Jane Bowles, Saul Friedlander, Alice Neel, and Marlene Dumas; the author discerns a common thread in their ability to convey their personal experiences and connect them to larger issues in the world ..."
"These twin examples of commitment stand as a beacon of inspiration and also, perhaps, a warning of the dangers of operating so purely and discreetly ..."
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