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Memorial Drive: A Daughter's Memoir

Memorial Drive: A Daughter's Memoir

by Natasha Trethewey

Ecco ·2020 ·213 pages
Best of 2020 Top 25 Critics' Picks
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About This Book

At age nineteen, Natasha Trethewey had her world turned upside down when her former stepfather shot and killed her mother. Grieving and still new to adulthood, she confronted the twin pulls of life and death in the aftermath of unimaginable trauma and now explores the way this experience lastingly shaped the artist she became. Pulitzer Prize–winning poet Natasha Trethewey explores this profound experience of pain, loss, and grief as an entry point into understanding the tragic course of her mother's life and the way her own life has been shaped by a legacy of fierce love and resilience. Moving through her mother's history in the deeply segregated South and through her own girlhood as a "child of miscegenation" in Mississippi, Trethewey plumbs her sense of dislocation and displacement in the lead-up to the harrowing crime that took place on Memorial Drive in Atlanta in 1985.


Reviews

"How could anyone fail to save a person of such substance?"

Marie Mutsuki Mockett· San Francisco Chronicle Read review ↗ Top of the Pile

"Nothing she has written drills down into her past, and her family's, as powerfully as Memorial Drive."

Dwight Garner· The New York Times Read review ↗ Top of the Pile

"Exploring personal trauma, memory, and closure, Poet Laureate and Pulitzer Prize–winner Trethewey returns to the site of her mother's murder ..."

Leah Huey· Library Journal Read review ↗ Top of the Pile

"Using descriptions of photographs, dreamscapes, memories of historical events (such as Gerald Ford's pardon of Richard Nixon in 1974) and even transcripts of the final phone calls between Turnbough and Grimmette, Trethewey builds a narrative that asks: How does one get intimately close to violence and still survive?"

Destiny O. Birdsong· BookPage Read review ↗ Top of the Pile

"In one of the book's most devastating and artful chapters, Trethewey makes an unexpected but wholly necessary switch to the second person ..."

Kiese Makeba Laymon· The New York Times Read review ↗ Top of the Pile

"Trethewey observes astutely the ways in which racial prejudices are passed down and repeated ..."

Niamh Donnelly· The Irish Times Read review ↗ Near the Top

"Trethewey declines to offer a neat conclusion, but she succeeds in making meaning from pain."

Julia Kastner· Shelf Awareness Read review ↗ Top of the Pile

"This profound story of the horrors of domestic abuse and a daughter's eternal love for her mother will linger long after the book's last page is turned."

Publishers Weekly Read review ↗ Top of the Pile

"At the risk of coming across as a selfish reader, I hasten to add that she provides a model for living with woundedness, making something usable out of the myriad details, some beautiful, others anguished."

Imani Perry· The Boston Globe Read review ↗ Top of the Pile

"Poet Laureate Trethewey, winner of a Pulitzer Prize, Guggenheim Fellowship, and many other awards, begins her graceful, moving memoir with her mother's murder in 1985 ..."

Kirkus Read review ↗ Near the Top

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