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Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius

Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius

by Carrie Courogen

St. Martin's Press ·2024 ·400 pages
Maybe Someday
Maybe Someday
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About This Book

2024 National Book Critics Circle finalist — John Leonard Prize for Best First Book • Named one of 2024's Best Books by The New York Times, NPR, Publishers Weekly, Vulture, Newsweek, Literary Hub, and more. "A deeply researched, psychologically astute new biography of May by Carrie Courogen...The book is written with a brash literary verve that feels authentic to its subject, and it does justice both to May's mighty artistry and to the complex fabric of her life, linking them persuasively while resisting facile correlations between her personal concerns and her blazing inspirations." — Richard Brody, The New Yorker "Casual, sympathetic and compulsively readable." — The New York Times Book Review "A minor miracle...a fascinating, three-dimensional portrait of a brilliant, complicated artist" — The Los Angeles Times Miss May Does Not Exist , by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America's greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is "Miss May does not exist." Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.


Reviews

"It produces a fully realized portrait of a mysterious film genius."

Lisa Henry· Library Journal Read review ↗ Top of the Pile

"If Courogen can't match May's wit, it's to her credit that she doesn't try."

Tim Riley· Los Angeles Review of Books Read review ↗ Near the Top

"Drawing on historical accounts, primary sources, and extant interviews, Courogen pieces together a comprehensive chronicle of May's cinematic career."

Cory Oldweiler· The Boston Globe Read review ↗ Near the Top

"Vibrant ... This is a gem."

Publishers Weekly Read review ↗ Top of the Pile

"Courogen's biography adds to the growing chorus restoring May to her rightful place as a — however reluctant — Hollywood icon."

Mae Anderson· Associated Press Read review ↗ Top of the Pile

"A vivid picture of a woman who teetered at the top of Broadway and Hollywood for decades ..."

Jeanine Basinger· The Wall Street Journal Read review ↗ Maybe Someday

"May's admirers will welcome a long-overdue survey of her career and a tribute to the comic genius whom the director Clive Donner called 'better at everything--writing, acting, directing--than almost anyone else I know.'"

Michael Magras· Shelf Awareness Read review ↗ Near the Top

"Casual, sympathetic and compulsively readable ..."

Dwight Garner· The New York Times Read review ↗ Near the Top

"A sympathetic yet somewhat incomplete portrayal of a unique talent."

Kirkus Read review ↗ Maybe Someday

"The book is written with a brash literary verve that feels authentic to its subject, and it does justice both to May's mighty artistry and to the complex fabric of her life, linking them persuasively while resisting facile correlations between her personal concerns and her blazing inspirations ..."

Richard Brody· The New Yorker Read review ↗ Top of the Pile

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