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Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius

Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood's Hidden Genius

by Carrie Courogen

St. Martin's Press ·2024 ·400 pages
Maybe Someday
Maybe Someday
I Index
40/99
Maybe Someday

43/99

Critics' Rating Index

Maybe Someday

37/99

Readers' Rating Index

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Scholars' Citation Index

95/99

Volume of Reviews

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About This Book

2024 National Book Critics Circle finalist — John Leonard Prize for Best First Book • Named one of 2024's Best Books by The New York Times, NPR, Publishers Weekly, Vulture, Newsweek, Literary Hub, and more. "A deeply researched, psychologically astute new biography of May by Carrie Courogen...The book is written with a brash literary verve that feels authentic to its subject, and it does justice both to May's mighty artistry and to the complex fabric of her life, linking them persuasively while resisting facile correlations between her personal concerns and her blazing inspirations." — Richard Brody, The New Yorker "Casual, sympathetic and compulsively readable." — The New York Times Book Review "A minor miracle...a fascinating, three-dimensional portrait of a brilliant, complicated artist" — The Los Angeles Times Miss May Does Not Exist , by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America's greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is "Miss May does not exist." Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.


Reviews

"Vibrant ... This is a gem."

Publishers Weekly Read review ↗ Top of the Pile

"A sympathetic yet somewhat incomplete portrayal of a unique talent."

Kirkus Read review ↗ Maybe Someday

"Revelatory scholarship that gives full measure to this artist who despite obstacles and setbacks (some self-inflicted) is an exalted figure in the comedy pantheon, a distinct voice whose outlier creative life Courogen captures through original research, archival material and scores of interviews ..."

Donald Liebenson· The Washington Post Read review ↗ Top of the Pile

"If Courogen can't match May's wit, it's to her credit that she doesn't try."

Tim Riley· Los Angeles Review of Books Read review ↗ Near the Top

"Casual, sympathetic and compulsively readable ..."

Dwight Garner· The New York Times Read review ↗ Near the Top

"The writing in this book is whip-smart and funny."

Lisa Henry· Library Journal Read review ↗ Top of the Pile

"May's admirers will welcome a long-overdue survey of her career and a tribute to the comic genius whom the director Clive Donner called 'better at everything--writing, acting, directing--than almost anyone else I know.'"

Michael Magras· Shelf Awareness Read review ↗ Near the Top

"Courogen develops a fine-grained and poignant view of an artist who has spent her adult years running from her background with a refugee's desperation while also covering her tracks in order to keep her traumas away from the prurient and hypercritical gaze of the media and the public."

Richard Brody· The New Yorker Read review ↗ Top of the Pile

"Still, this is a captivating look at an influential, one-of-a-kind talent in the performing arts pantheon whom comedy, theater, and film fans should know about."

Ilene Cooper· Booklist Read review ↗ Near the Top

"Courogen's biography adds to the growing chorus restoring May to her rightful place as a — however reluctant — Hollywood icon."

Mae Anderson· Associated Press Read review ↗ Top of the Pile

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