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Monsters: A Fan's Dilemma

Monsters: A Fan's Dilemma

by Claire Dederer

Knopf ·2023 ·257 pages
Maybe Someday
Maybe Someday
I Index
47/99
Maybe Someday

44/99

Critics' Rating Index

Bottom of the Pile

6/99

Readers' Rating Index

Top of the Pile

91/99

Scholars' Citation Index

99/99

Volume of Reviews

92/99

Volume of Reader Ratings

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About This Book

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.


Reviews

"Nuanced and incisive ..."

Publishers Weekly Read review ↗ Top of the Pile

"By turns emotional and measured, this is a valuable meditation on some of the era's most urgent cultural questions."

Kathleen McCallister· Library Journal Read review ↗ Near the Top

"There are moments when she lays out a line of argument only to seek to invalidate it with questions left unanswered."

Lorraine Berry· The Minneapolis Star Tribune Read review ↗ Near the Top

"Dederer's instincts to approach such material with an open mind—and heart—are laudable."

Heller McAlpin· The Wall Street Journal Read review ↗ Near the Top

"Dederer is continually trying — not in the adjectival sense, but as the present participle: showing us her thought process, correcting as she goes and experimenting with different forms ..."

Alexandra Jacobs· The New York Times Read review ↗ Near the Top

"The pragmatist in me suspects the answer to these conundrums is simply acknowledging human complexity: Caravaggio was a murderer; bad humans can be great artists."

Laura Kipnis· The New Republic Read review ↗ Maybe Someday

"Dederer's shrewd, vivid descriptions of movies and books suggest just how much they mean to her and how deeply any sacrifices on the altar of contemporary sexual ethics might cut ..."

Laura Miller· Slate Read review ↗ Near the Top

"Dederer offers nuanced answers, challenging the assumption that boycotting is always the best response."

Freda Love Smith· Booklist Read review ↗ Near the Top

"Exhilarating, gnarly ..."

Kathryn Hughes· The Guardian Read review ↗ Top of the Pile

"In terms of structure, Dederer's book meanders as feelings do, sometimes harshly censorious about the flaws of artists such as Allen and Polanski, sometimes worrying obsessively about the ethics of adoring their creations, and at other times shaking off anxieties in favour of a commitment to what the heart wants in spite of itself ..."

Kathleen Stock· The Times (UK) Read review ↗ Near the Top

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