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My Autobiography of Carson McCullers

My Autobiography of Carson McCullers

by Jenn Shapland

Tin House ·2020 ·266 pages
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Near the Top
I Index
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Maybe Someday

28/99

Critics' Rating Index

Maybe Someday

48/99

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Top of the Pile

84/99

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About This Book

My Autobiography of Carson McCullers is an audacious new form of nonfiction that remakes the boundaries between criticism, biography, and autobiography in search of two identities. While working as an intern in the archives at the Harry Ransom Center, Jenn Shapland encounters the love letters of Carson and a woman named Annemarie―letters are that are tender, intimate, and unabashed in their feelings. Shapland recognizes herself in the letters' language―but does not see Carson as history has portrayed her. And so, Shapland is compelled to undertake a recovery of the full narrative and language of Carson's life: She wades through the therapy transcripts; she stays at Carson's childhood home, where she lounges in her bathtub and eats delivery pizza; she relives Carson's days at her beloved Yaddo. As Shapland reckons with the expanding and collapsing distance between her and Carson, she see the way Carson's story has become a way to articulate something about herself. The results articulate something entirely new not only about this one remarkable, walleyed life, but about the way we tell queer love stories. In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers's to create a vital new portrait of one of America's most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are.


Reviews

"beautifully and sparsely written."

Melanie Reid· The Times (UK) Read review ↗ Top of the Pile

"The more Shapland learns about the legendary writer, the more she learns about herself and the more readers are apt to question the labels we impose on one another."

Chris Hewitt· The Minneapolis Star Tribune Read review ↗ Top of the Pile

"I so wished for more [confessional] moments ..."

Jessica Ferri· Los Angeles Times Read review ↗ Maybe Someday

"But Shapland has slightly oversold her thesis about the closeting of McCullers."

Regina Marler· New York Review of Books Read review ↗ Near the Top

"Celebrating McCullers, love, and the idea that every story told includes something of its teller, Shapland writes an involving literary journey of the self."

Annie Bostrom· Booklist Read review ↗ Near the Top

"Its mere existence stands as a warning of the cul-de-sac into which publishing has lately wandered (I mean, run, blindfolded, at full tilt)."

Rachel Cooke· The Guardian Read review ↗ Bottom of the Pile

"The difficulty in overcoming this instinct to code and conceal is what gives Shapland's book its considerable stakes ..."

Megan O Grady· The New York Times Read review ↗ Top of the Pile

"If McCullers provided salvation, helping Shapland emerge once and for all from the closet, now the younger writer has an opportunity to return the favor."

Rumaan Alam· The New Republic Read review ↗ Maybe Someday

"The question that propels Shapland's book is not whether or not Carson was a lesbian; she's not trying to prove, exactly."

Ellie Duke· Los Angeles Review of Books Read review ↗ Top of the Pile

"Shapland interweaves candid self-questioning and revealing personal stories with a nuanced portrait of a writer who confessed her loves were 'untouchable' and her feelings 'inarticulable.' A sensitive chronicle of a biographer's search for truth."

Kirkus Read review ↗ Near the Top

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