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My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song

My Old Kentucky Home: The Astonishing Life and Reckoning of an Iconic American Song

by Emily S. Bingham

Knopf ·2022 ·352 pages
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About This Book

The long journey of an American song, from its enormous success in the early 1850s, written by a white man, considered the father of American music, about a Black man being sold downriver, performed for decades by white men in blackface, and the song, an anthem of longing and pain, turned upside down and, over time, becoming a celebration of happy plantation life. It is the state song of Kentucky, a song that has inhabited hearts and memories, and in perpetual reprise, stands outside time; sung each May, before every Kentucky Derby, since 1930. Written by Stephen Foster nine years before the Civil War, "My Old Kentucky Home" made its way through the wartime years to its decades-long run as a national minstrel sensation for which it was written; from its reference in the pages of Margaret Mitchell's Gone with the Wind to being sung on The Simpsons and Mad Men. Originally called "Poor Uncle Tom, Good-Night!" and inspired by America's most famous abolitionist novel, it was a lament by an enslaved man, sold by his master, who must say goodbye to his beloved family and cherished birthplace, with hints of the brutality to come: "The head must bow and the back will have to bend / Wherever the darky may go / A few more days, and the trouble all will end / In the field where the sugar-canes grow . . ." In My Old Kentucky Home, Emily Bingham explores the long, strange journey of what has come to be seen by some as an American anthem, an integral part of our folklore, culture, customs, foundation, a living symbol of a "happy past." But "My Old Kentucky Home" was never just a song. It was always a song about slavery with the real Kentucky home inhabited by the enslaved and shot through with violence, despair, and degradation. Bingham explores the song's history and permutations from its decades of performances across the continent, entering into the bloodstream of American life, through its twenty-first-century reassessment. It is a song that has been repeated, taught, and passed down from generation to generation, bridging a nation's fraught disconnect between history and warped illusion, a revelation of the country's evolving self and a resonant changing emblem of America's original sin whose blood-drenched shadow hovers and haunts us still.


Reviews

"Describing her own relationship to the song as a white Kentuckian, Bingham offers a well-researched history of music, race, and American memory."

Laura Chanoux· Booklist Read review ↗ Near the Top

"Emily Bingham's new book is a work toward truth and reconciliation ..."

Rebecca Gayle Howell· The Washington Post Read review ↗ Top of the Pile

"Drawing from extensive research and personal experience, Bingham explores the history of Stephen Foster's 'My Old Kentucky Home' ..."

Elizabeth Berndt-Morris· Library Journal Read review ↗ Near the Top

"How the song so captured these people and a wider world, is the haunting question that the native Kentuckian Emily Bingham answers so thoroughly and forcefully in My Old Kentucky Home, her history of an American song ..."

Rick Bragg· The New York Times Read review ↗ Top of the Pile

"Elsewhere, she astutely analyzes the song's reinterpretation by Black artists and activists, and discusses how the 2020 police killing of Breonna Taylor cast Kentucky's Lost Cause mythology in a harsh new light."

Publishers Weekly Read review ↗ Near the Top

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