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Opposable Thumbs: How Siskel & Ebert Changed Movies Forever

Opposable Thumbs: How Siskel & Ebert Changed Movies Forever

by Matt Singer

G.P. Putnam's Sons ·2023 ·352 pages ·Criticism
Maybe Someday
Maybe Someday
I Index
49/99
Maybe Someday

30/99

Critics

Near the Top

68/99

Readers

n/a

Scholars

27/99

Rating

34/99

Volume

53/99

Rating

83/99

Volume

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About This Book

Once upon a time, if you wanted to know if a movie was worth seeing, you didn't check out Rotten Tomatoes or IMDB. You asked whether Siskel & Ebert had given it "two thumbs up." On a cold Saturday afternoon in 1975, two men (who had known each other for eight years before they'd ever exchanged a word) met for lunch in a Chicago pub. Gene Siskel was the film critic for the Chicago Tribune . Roger Ebert had recently won the Pulitzer Prize—the first ever awarded to a film critic—for his work at the Chicago Sun-Times. To say they despised each other was an understatement. When they reluctantly agreed to collaborate on a new movie review show with PBS, there was at least as much sparring off-camera as on. No decision—from which films to cover to who would read the lead review to how to pronounce foreign titles—was made without conflict, but their often-antagonistic partnership (which later transformed into genuine friendship) made for great television. In the years that followed, their signature "Two thumbs up!" would become the most trusted critical brand in Hollywood. In Opposable Thumbs , award-winning editor and film critic Matt Singer eavesdrops on their iconic balcony set, detailing their rise from making a few hundred dollars a week on local Chicago PBS to securing multimillion-dollar contracts for a syndicated series (a move that convinced a young local host named Oprah Winfrey to do the same). Their partnership was cut short when Gene Siskel passed away in February of 1999 after a battle with brain cancer that he'd kept secret from everyone outside his immediate family—including Roger Ebert, who never got to say goodbye to his longtime partner. But their influence on in the way we talk about (and think about) movies continues to this day.


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Reviews

"Recommended for wide purchase with, what else, an enthusiastic thumbs up."

Jeff Connelly· Booklist Read review ↗ Top of the Pile

"Everybody's a critic now, and if that's what Singer means by 'changing movies forever,' I wonder if it's the legacy that Siskel and Ebert had in mind."

Louis Bayard· The Washington Post Read review ↗ Near the Top

"Since both critics were dead at the writing of this book, Singer relies on copious previously published accounts—and YouTube–archived episodes of their shows—for their voices."

Kirkus Read review ↗ Near the Top

"Singer works hard to make the most of backstage anecdotes...that have the whiff of embellishment over years of retelling ..."

Richard Zoglin· The New York Times Read review ↗ Maybe Someday

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