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Saxophone Colossus: The Life and Music of Sonny Rollins

Saxophone Colossus: The Life and Music of Sonny Rollins

by Aidan Levy

Da Capo ·2022 ·784 pages ·Biography
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66/99
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74/99

Critics

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Scholars

82/99

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66/99

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22/99

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About This Book

**Winner of the American Book Award (2023)** ​**Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)** The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the "Saxophone Colossus," he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden's Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic "Great Day in Harlem" portrait. His seven-decade career has been well documented, but the backstage life of the man once called "the only jazz recluse" has gone largely untold—until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins' extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins' precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012. The story of Sonny Rollins—innovative, unpredictable, larger than life—is the story of jazz itself, and Sonny's own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians' own words, part chronicle of one man's quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.


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Reviews

"Levy enlightens us most of all about the resilience behind that power, the well-honed technique and wild imagination with which it was employed, and the humility, perhaps more apparent now, at its core."

Larry Blumenfeld· The Wall Street Journal Read review ↗ Top of the Pile

"A vivid picture of this milieu, its buzzing nightlife and its varieties of temptation waiting behind what seems every door."

Chris Vognar· Los Angeles Times Read review ↗ Top of the Pile

"Levy provides precise and ravishing descriptions of Rollins' music, 'tireless work ethic,' inspirations, frustrations with the record industry, social and environmental activism, and surprising collaborations."

Donna Seaman· Booklist Read review ↗ Top of the Pile

"A memorable work that will become the standard biography of the saxophone giant and should be embraced by all jazz fans and general readers."

Dr. Dave Szatmary· Library Journal Read review ↗ Top of the Pile

"The 'Bridge' chapter also represents a bridge between the book's two long sections, and a kind of apex from which the book's tension begins to slacken."

Ben Ratliff· The New York Times Read review ↗ Near the Top

"In fact, Levy's greatest contribution is his extensive account of the dissatisfaction that led to Rollins' decision to practice on the Williamsburg Bridge for more than a year as well as the attention paid to the less-well-known work that followed."

Kirkus Read review ↗ Near the Top

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