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Schoenberg: Why He Matters
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About This Book
"[A]n immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music." ―John Adams, New York Times Book Review , cover review A New Yorker Best Book of the Year An astonishingly lyrical biography that rescues Schoenberg from notoriety, restoring him to his rightful place in the pantheon of twentieth-century composers. In his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics―among them the Nazis, who described his music as "degenerate"―he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music. 10 illustrations
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Reviews
"Sachs's fine study should inspire a fresh understanding of his life and work."
"[Sachs] is a sterling example of the good old-fashioned and sadly vanishing 'music appreciation' writer, albeit with a sophisticated command of the historical and political back story ..."
"Much of the book's appeal lies in that implicit promise to help find the beauty hidden in what can seem, to the uninitiated, a writhing mass of noise."
"Sachs makes a compelling case for some of the most difficult and intimidating music ever written."
"Thoughtful and concise."
"A convincing, laymen-friendly reappraisal of a great musical theorist, teacher, and composer."
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