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The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem

The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem

by Julie Phillips

W. W. Norton & Company ·2022 ·320 pages
Near the Top
Near the Top
I Index
63/99
Maybe Someday

38/99

Critics' Rating Index

Near the Top

68/99

Readers' Rating Index

Top of the Pile

82/99

Scholars' Citation Index

84/99

Volume of Reviews

33/99

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About This Book

An NPR Best Book of 2022 An insightful, provocative, and witty exploration of the relationship between motherhood and art―for anyone who is a mother, wants to be, or has ever had one. What does a great artist who is also a mother look like? What does it mean to create, not in "a room of one's own," but in a domestic space? In The Baby on the Fire Escape , award-winning biographer Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy, Phillips evokes the intimate and varied struggles of brilliant artists and writers of the twentieth century. Ursula K. Le Guin found productive stability in family life, and Audre Lorde's queer, polyamorous union allowed her to raise children on her own terms. Susan Sontag became a mother at nineteen, Angela Carter at forty-three. These mothers had one child, or five, or seven. They worked in a studio, in the kitchen, in the car, on the bed, at a desk, with a baby carrier beside them. They faced judgement for pursuing their creative work―Doris Lessing was said to have abandoned her children, and Alice Neel's in-laws falsely claimed that she once, to finish a painting, left her baby on the fire escape of her New York apartment. As she threads together vivid portraits of these pathbreaking women, Phillips argues that creative motherhood is a question of keeping the baby on that apocryphal fire escape: work and care held in a constantly renegotiated, provisional, productive tension. A meditation on maternal identity and artistic greatness, The Baby on the Fire Escape illuminates some of the most pressing conflicts in contemporary life.


Reviews

"This is an uneasy book, which raises many more questions than it answers."

Francesca Wade· The New York Times Read review ↗ Maybe Someday

"Phillips's insights—like the disconnect between a creative's expectation of unbroken focus and the reality of mothering as a state of constant interruption—are essential, but stacks of quotes from famous writers, philosophers, psychoanalysts, and others turn into litanies."

Maggie Taft· Booklist Read review ↗ Near the Top

"Phillips's sharp observations and candor add force to the survey ..."

Publishers Weekly Read review ↗ Near the Top

"But there are, she concludes, two absolute necessities: time, and a firm sense of what's important to you as a person in your own right."

Heller McAlpin· The Wall Street Journal Read review ↗ Near the Top

"Phillips's book is engaging and accessible, especially when carefully discussing the private life of Lorde (a Black lesbian mother) and its influence on her writing; black-and-white portraits of the novelists are a highlight ..."

Emily Bowles· Library Journal Read review ↗ Top of the Pile

"Instead of developing complete portraits of the artists and writers, she works to connect themes and ideas."

LAUREN LEBLANC· Los Angeles Times Read review ↗ Top of the Pile

"By the time the mother of the baby on the fire escape has become the guardian of an empty nest, she has ventured out, fought monsters, faced fears, and become a new version of herself."

Joanna Scutts· The New Republic Read review ↗ Near the Top

"Phillips admits there is no simple answer to her overarching question ..."

Kirkus Read review ↗ Near the Top

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