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The Big Goodbye: Chinatown and the Last Years of Hollywood
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About This Book
From the New York Times bestselling author of Fifth Avenue, Five A.M. and Fosse comes the revelatory account of the making of a modern American masterpiece Chinatown is the Holy Grail of 1970s cinema. Its twist ending is the most notorious in American film and its closing line of dialogue the most haunting. Here for the first time is the incredible true story of its making. In Sam Wasson's telling, it becomes the defining story of the most colorful characters in the most colorful period of Hollywood history. Here is Jack Nicholson at the height of his powers, as compelling a movie star as there has ever been, embarking on his great, doomed love affair with Anjelica Huston. Here is director Roman Polanski, both predator and prey, haunted by the savage death of his wife, returning to Los Angeles, the scene of the crime, where the seeds of his own self-destruction are quickly planted. Here is the fevered dealmaking of "The Kid" Robert Evans, the most consummate of producers. Here too is Robert Towne's fabled script, widely considered the greatest original screenplay ever written. Wasson for the first time peels off layers of myth to provide the true account of its creation. Looming over the story of this classic movie is the imminent eclipse of the '70s filmmaker-friendly studios as they gave way to the corporate Hollywood we know today. In telling that larger story, The Big Goodbye will take its place alongside classics like Easy Riders, Raging Bulls and The Devil's Candy as one of the great movie-world books ever written. Praise for Sam Wasson:"Wasson is a canny chronicler of old Hollywood and its outsize personalities...More than that, he understands that style matters, and, like his subjects, he has a flair for it." - The New Yorker"Sam Wasson is a fabulous social historian because he finds meaning in situations and stories that would otherwise be forgotten if he didn't sleuth them out, lovingly." - Hilton Als
Reviews
"Wasson goes deep on Towne ..."
"...as Sam Wasson shows in compelling detail in his fine new book The Big Goodbye, the makers of Chinatown were simply too young, too ambitious, too controversial, and their movie, while undeniably brilliant, was like a brash finger stuck in the eye of the Hollywood establishment ..."
"This is a densely textured, well-researched, lushly overwritten portrait of a time when Hollywood film-makers behaved with passionate individualism and artistic boldness — and of all the massive rows, betrayals, sexual excesses and general badassery that entailed."
"Wasson argues convincingly that Chinatown was one of the last great Hollywood films; in the years following its release, the industry shifted from a dream factory realizing ambitious visions to a corporate machine churning out blockbusters ..."
"Sam Wasson...[has] a novelist's eye for complex characters and a natural storyteller's feel for scenes, dialogue and richly revealing details ..."
"more than a mere biography of a landmark movie; it aims to flesh out the wild and woolly era that incubated it, roughly the late 1960s to the late 1970s, and in this it mostly succeeds ..."
"There is much that is good here, and the narrative moves along in an almost novelistic, colloquial style."
"As I read Sam Wasson's breezy, cocaine-dusted history, roughly two-thirds of which is about director Roman Polanski's Chinatown, I kept wondering: How would it be different if Faye Dunaway had agreed to talk?"
"But Wasson's revisionist conclusion is still fairly persuasive and abundantly clear: no Polanski, no Chinatown ..."
"People go to movies in part to find a coherence and resolution lacking in everyday existence; The Big Goodbye suggests that those who make them are similarly motivated ..."
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