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The Lives of Lucian Freud: Fame, 1968-2011
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About This Book
LONGLISTED FOR THE 2020 BAILLIE GIFFORD PRIZE In this brilliant second and final volume of the definitive biography of Lucian Freud--one of the most influential, enigmatic and secretive artists of the twentieth century--William Feaver, the noted art critic, draws on years of daily conversations with Freud, on his private papers and letters and on interviews with his friends and family to explore the intimate life of Freud, from age forty-five to his death in 2011 at the age of eighty-nine. The final forty years of Freud's life were a period of increasing recognition and fame, and of prodigious output. He was obsessed with his art, and with the idea of producing paintings that "astonish, disturb, seduce, convince." He was equally energetic and ambitious in his private life. This book opens with his dramatic affair with Jacquetta Eliot, which led to some of his most intimate portraits and to the start of two important, lifelong friendships, with Jane Willoughby and Susanna Chancellor. Freud talks about his art at all stages, how it changed in the seventies and his first retrospective in London in 1974. His move to a new studio in Holland Park in the late seventies marked an important increase in the scale of his work, such as Large Interior W11 (After Watteau), which was his breakthrough painting. In this space, people would come and go--his children, his lover, the painter Celia Paul and all the sitters from his nightlife. His close friendship with Francis Bacon would end and be replaced with that of Frank Auerbach. His obsession with gambling would give way to work, and from the nineties through the 2000s, a wide range of subjects would sit for him, including the performance artist Leigh Bowery; Kate Moss; Jerry Hall; supervisor Sue Tilley; his longtime assistant, David Dawson; his own children; and, in 2001, Queen Elizabeth. Two phenomenally successful exhibitions would transform his international reputation: the Hirshhorn Museum in Washington DC in 1988 and a retrospective at the Tate in 2002. Here is Freud's voice--still as fierce, complicated, witty and charismatic as in his youth--talking about his art, his friends and lovers and the gossip about them all, making this volume, like the first, a nod to autobiography. Vivid and engrossing, The Lives of Lucian Freud is a dazzling and authoritative tour de force that reveals important new details about the thoughts, the life and the work of this elusive artist.
Reviews
"Insights are gleaned from conversation and canny observation."
"The Lives of Lucian Freud is therefore, like psycho–analysis itself, concerned with the art of listening as much as it is with looking ..."
"Their books are on best-seller lists."
"It's a mesmerising picture of a paintaholic who was incorrigibly on the make ..."
"But now and again, faced with this Knausgaardian compulsive inclusion, this epic of gossip, the artist's complete asides, you wonder whether certain inclusions have earned their place in the story ..."
"The sheer volume of material garnered and the liveliness of Freud's speech and orbit mean that the whole project is less like traditional biography than extended reportage mixed with diary entries."
"This volume will appeal to those readers more fascinated by the artistic than the social life; who want a behind-the-scenes account of Freud's succession of gallerists (and his rows and fallings out with them), of the critical opinions of his work (and why they were wrong), of the staging of progressively more significant exhibitions ..."
"you can hear Freud's voice on the page, which is thrilling when he's talking about art ..."
"Lucian Freud declared that the purpose of his art was to 'astonish, disturb, seduce, and convince,' traits also abundant in art critic Feaver's gleaming second and final biographical volume ..."
"Can the onlooker separate the mania and obsessions from the artistic product and the need for a muse and younger and younger companionship?"
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