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The Mango Tree: A Memoir of Fruit, Florida, and Felony
by
24/99
Critics
79/99
Readers
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Scholars
13/99
Rating
34/99
Volume
70/99
Rating
88/99
Volume
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About This Book
Rows of orange people sit handcuffed in a beige room. One of them is my mother. When journalist Annabelle Tometich picks up the phone one June morning, she isn't expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn't prepared to hear her mother's voice on the other end of the line. Explaining the situation to her younger siblings afterward, however, was easy. All she had to say was, "Mom shot at some guy. He was messing with her mangoes." They immediately understood. Answering the questions of the breaking-news reporter—at the same newspaper where Annabelle worked as a restaurant critic—proved more difficult. Annabelle decided to go with a variation of the truth: it was complicated. So begins The Mango Tree, a poignant and deceptively entertaining memoir of growing up as a mixed-race Filipina "nobody" in suburban Florida, as Annabelle traces the roots of her upbringing—all the while reckoning with her erratic father's untimely death in a Fort Myers motel, her ambitious mother's bitter yearning for the country she left behind, and her own journey in the pursuit of belonging. With clear-eyed compassion and piercing honesty, The Mango Tree is a family saga that navigates the tangled branches of Annabelle's life, from her childhood days in an overflowing house flooded by balikbayan boxes, vegetation, and juicy mangoes to her winding path from medical-school hopeful to restaurant critic. It is a love letter to her fellow Filipino Americans, her lost younger self, and the beloved fruit tree at the heart of her family. But above all it is an ode to Annabelle's hot-blooded, whip-smart mother Josefina, a woman who made a life and a home of her own, and without whom Annabelle would not have herself.
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Reviews
"'The justice system does not see her as a whole person, worthy of leniency and redemption,' Tometich writes, late in the book, of the harshness of Josefina's punishment."
"...the sense that Tometich gives of having almost fallen into her career (in which she has enjoyed a fair amount of success) as a restaurant critic belies the skill with narrative and language that she displays."
"It's a moving account of coming to terms with the forces—good and bad—that shape a person."
"Tometich's life is filled with frustrations and she frequently asserts that she is a nobody, even though, with her mom working as an ICU nurse, the family lived a comfortable life, and Tometich had strong family support from Filipino relatives who stayed with them (Tometich's Yugoslavian dad died when she was nine)."
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