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The Philosophy of Modern Song

The Philosophy of Modern Song

by Bob Dylan

Simon & Schuster ·2022 ·339 pages
Maybe Someday
Maybe Someday
I Index
47/99
Bottom of the Pile

9/99

Critics' Rating Index

Maybe Someday

44/99

Readers' Rating Index

Top of the Pile

88/99

Scholars' Citation Index

99/99

Volume of Reviews

85/99

Volume of Reader Ratings

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About This Book

The Philosophy of Modern Song is Bob Dylan's first book of new writing since 2004's Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work's transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.


Reviews

"Dylan is clearly a believer, and he will convince readers to follow."

Kirkus Read review ↗ Top of the Pile

"For all its eccentricities, The Philosophy of Modern Song hits upon some welcome grace notes."

James Sullivan· The Boston Globe Read review ↗ Near the Top

"Many of the choices predate his career, and very few of the tracks that postdate the '60s seem directly influenced by his work."

Wesley Stace· The Wall Street Journal Read review ↗ Near the Top

"(Who among us has not mixed a metaphor once or twice?) ..."

Amanda Petrusich· The New Yorker Read review ↗ Near the Top

"At the least, the book makes for a hell of a mixtape."

Carl Wilson· Slate Read review ↗ Maybe Someday

"A joke crawls out from the metaphorical wreckage; Dylan is having fun playing the curmudgeon."

Ludovic Hunter-Tilney· Financial Times Read review ↗ Maybe Someday

"There is not much strictly musicological analysis, and only occasional (if always intriguing) dissections of lyrical form ..."

Neil McCormick· The Telegraph (UK) Read review ↗ Top of the Pile

"Longtime Dylan followers are accustomed to the peculiar cast that haunts his songs...and they festoon these pages as well ..."

Elizabeth Nelson· The Washington Post Read review ↗ Near the Top

"You can dip in anywhere and swim about in Dylan's brain ..."

Paul LaRosa· The New York Journal of Books Read review ↗ Near the Top

"It seems reasonable to hope that an artist of Dylan's magnitude would publish words in solidarity with half of humankind in this critical hour of rights rescinded; rather, he chooses demeaning stereotypes."

Denise Sullivan· San Francisco Chronicle Read review ↗ Maybe Someday

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