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The Philosophy of Modern Song

The Philosophy of Modern Song

by Bob Dylan

Simon & Schuster ·2022 ·339 pages
Maybe Someday
Maybe Someday
I Index
47/99
Bottom of the Pile

9/99

Critics' Rating Index

Maybe Someday

44/99

Readers' Rating Index

Top of the Pile

88/99

Scholars' Citation Index

99/99

Volume of Reviews

85/99

Volume of Reader Ratings

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About This Book

The Philosophy of Modern Song is Bob Dylan's first book of new writing since 2004's Chronicles: Volume One—and since winning the Nobel Prize for Literature in 2016. Dylan, who began working on the book in 2010, offers his extraordinary insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. Running throughout the book are nearly 150 carefully curated photos as well as a series of dream-like riffs that, taken together, resemble an epic poem and add to the work's transcendence. In 2020, with the release of his outstanding album Rough and Rowdy Ways, Dylan became the first artist to have an album hit the Billboard Top 40 in each decade since the 1960s. The Philosophy of Modern Song contains much of what he has learned about his craft in all those years, and like everything that Dylan does, it is a momentous artistic achievement.


Reviews

"What does all this add up to?"

Jody Rosen· Los Angeles Times Read review ↗ Bottom of the Pile

"Dylan's descriptions are tone poems, intricate evocations of a certain mood or sensation."

Amanda Petrusich· The New Yorker Read review ↗ Near the Top

"Charmingly, Dylan appears to have done a great deal of research on the material covered, and maybe even breaks a little news here and there."

Elizabeth Nelson· The Washington Post Read review ↗ Near the Top

"The Hall of Famer riffing in prose is often as appealing — and enigmatic — as his riffing in music ..."

Jon Bream· The Minneapolis Star Tribune Read review ↗ Near the Top

"Without music, his quicksilver collages of imagery, narrative, rhetoric, and wisecrack are far more prone to come off as bullshit."

Carl Wilson· Slate Read review ↗ Maybe Someday

"Nostalgia abounds in Bob Dylan's eclectic and eccentric collection of impressive musical appreciations ..."

Kirkus Read review ↗ Top of the Pile

"Probably he's about to release a bladderful of P.B.R."

Dwight Garner· The New York Times Read review ↗ Maybe Someday

"Though Dylan knows that 'people ask songwriters what a song means, not realizing if they had more words to explain it they would've used them in the song,' here he is quite happy to use more words, to sometimes comic effect ..."

Wesley Stace· The Wall Street Journal Read review ↗ Near the Top

"Analysing music is like dissecting a frog – and the frog\songs dies of it."

Declan Kiberd· The Irish Times Read review ↗ Top of the Pile

"Dylan's 'philosophy' is at once curious, mercurial, inconsistent and, at times, off-putting ..."

Denise Sullivan· San Francisco Chronicle Read review ↗ Maybe Someday

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