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The Saddest Words: William Faulkner's Civil War
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About This Book
Should we still read William Faulkner in this new century? What can his works tell us about the legacy of slavery and the Civil War, that central quarrel in our nation's history? These are the provocative questions that Michael Gorra asks in this historic portrait of the novelist and his world. Born in 1897 in Mississippi, Faulkner wrote such iconic novels as Absalom, Absalom! and The Sound and the Fury, creating in Yoknapatawpha County the richest gallery of characters in American fiction, his achievements culminating in the 1949 Nobel Prize in Literature. But given his works' echo of "Lost Cause" romanticism, his depiction of black characters and black speech, and his rendering of race relations in a largely unreconstructed South, Faulkner demands a sobering reevaluation. Interweaving biography, absorbing literary criticism, and rich travelogue, The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.
Reviews
"surely among the most dexterous, dynamic, and consistently surprising studies ever written about an English-language novelist ..."
"Faulkner had his flaws, Gorra writes, but he 'gets the big things right' ..."
"Gorra adroitly and poignantly portrays Faulkner at war with himself, juxtaposed and entwined with the history of a cleaved nation, to provide a compelling and necessary reexamination of a towering literary figure."
"Gorra's book, as he writes in his preface, is 'an act of citizenship,' timely and essential as we confront, once again, the question of who is a citizen and who among us should enjoy its privileges."
"Gorra demonstrates convincingly that this unshakable past for Faulkner came increasingly to involve race ..."
"Gorra could not have foreseen our current moment when he began this work of biography, history and literary criticism."
"Gorra seems to want to give Faulkner credit for consistently acknowledging a problem that he did virtually nothing about ..."
"A worthy addition to Faulkner studies, and for larger Southern literature and Civil War collections."
"Gorra's argument, however, depends on close readings of everything from individual sentences to symbols and characters and themes across the author's novels, which collectively make the case that a racist person can be a radical writer."
"...penetrating and elegantly written ..."
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