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The Sinner and the Saint: Dostoevsky and the Gentleman Murderer Who Inspired a Masterpiece
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About This Book
From the New York Times bestselling author of THE MOST DANGEROUS BOOK, the true story behind the creation of another masterpiece of world literature, Fyodor Dostoevsky's CRIME AND PUNISHMENT. THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story--and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic. The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre Francois Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov. Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good. The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love. Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph.
Reviews
"His deep reading of Dostoevsky's journals and drafts provides penetrating insights into the artistic process and how Dostoevsky sought to write from the killer Raskolnikov's perspective (raskol is Russian for schism)."
"Meticulously piecing together the debates that fired Dostoevsky's imagination, The Sinner and the Saint is filled with arresting details that bring the turbulence of the 1860s to life ..."
"As Birmingham certainly knows, it would take a Dostoevsky novel to do full justice to Dostoevsky, but The Sinner and The Saint is a pretty exquisite consolation prize."
"His villainy is like a gargoyle — inert and thoroughly grotesque."
"a magnificent and fitting tribute."
"Birmingham conveys in vibrant detail Dostoevsky's literary aspirations, struggles to publish, and tumultuous world of 'angels and demons.' Prodigious research enlivens a vigorous reappraisal of the writer's life."
"As narrator, [Birmingham] sits as tightly on Dostoevsky's shoulder as Dostoevsky does on Raskolnikov's, so that we feel as if we are seeing the world — a terrifying, claustrophobic world — from their doubled perspective."
"The reader becomes a spectator to the construction of Crime and Punishment while learning a great deal along the way about the criminal justice system in 19th-century Russia, temporal lobe epilepsy, promissory notes, phrenology, gold mining, nihilism and much else ..."
"Birmingham is at his best when he inspects the crux of the novel—Raskolnikov's two murders."
"[Dostoyevsky's wife] Anna's dowry, her wedding ring, and even her underwear would be pawned to support her husband and his roulette addiction—but Birmingham cuts off his thread before the love story curdles into something less wholesome."
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