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The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense

by Edward White

W. W. Norton & Company ·2021 ·380 pages
Maybe Someday
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About This Book

In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book's twelve chapters illuminate different aspects of Hitchcock's life and work: "The Boy Who Couldn't Grow Up"; "The Murderer"; "The Auteur"; "The Womanizer"; "The Fat Man"; "The Dandy"; "The Family Man"; "The Voyeur"; "The Entertainer"; "The Pioneer"; "The Londoner"; "The Man of God." Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock's early work in England to his most celebrated films, White astutely analyzes Hitchcock's oeuvre and provides new interpretations. He also delves into Hitchcock's ideas about gender; his complicated relationships with "his women"—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock's devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White's portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.


Reviews

"An absorbing, thoughtful, and balanced look at a master of his medium."

Peter Thornell· Library Journal Read review ↗ Top of the Pile

"He is better on the avant-gardism of The Birds, a precursor of cinema's current surrender to technology: a sodium vapour process merged separate shots to amass those squadrons of attacking crows, and an early electronic synthesiser called the Mixtur-Trautonium supplied their squawks of triumph ..."

Peter Conrad· The Guardian Read review ↗ Maybe Someday

"In his coverage of Hitchcock's 60-plus-year career, White examines 12 'lives' that shaped what he terms the 'Hitchcock brand' ..."

Publishers Weekly Read review ↗ Top of the Pile

"White balances admirers (Grace Kelly and Ingrid Bergman loved him) with detractors such as Tippi Hedren ..."

Chris Hewitt· The Minneapolis Star Tribune Read review ↗ Near the Top

"what is especially interesting are chapters covering his attitudes regarding style and fashion, religion, and even his own weight issues ..."

Ron Kaplan· Bookreporter Read review ↗ Maybe Someday

"The book presents Hitchcock's best and worst behavior, and there is a good deal of both ..."

Farran Smith Nehme· The Wall Street Journal Read review ↗ Near the Top

"White engages in some fine detective work, too, trying to get to the truth behind some of the most intriguing Hitchcock legends, including an oft-told origin story that might be more fiction than fact."

David Pitt· Booklist Read review ↗ Near the Top

"thoughtful and nuanced ..."

Glenn Frankel· The Washington Post Read review ↗ Near the Top

"Strangely, through these refractions, we receive a smoother, more cohesive sense of a man so adept at toying with his audience, on and off the screen ..."

Parul Sehgal· The New York Times Read review ↗ Near the Top

"While not essential to casual filmgoers, the study helpfully dissects, for Hitchcock obsessives, this most calculatingly self-conscious director's methods and compulsions ..."

Alexander C. Kafka· The Washington Post Read review ↗ Near the Top

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