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Thunderclap: A Memoir of Art and Life & Sudden Death

Thunderclap: A Memoir of Art and Life & Sudden Death

by Laura Cumming

Scribner ·2023 ·272 pages ·Art
Top 25 Critics
Top of the Pile
Top of the Pile
I Index
83/99
Top of the Pile

94/99

Critics

Near the Top

72/99

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Scholars

96/99

Rating

92/99

Volume

69/99

Rating

75/99

Volume

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About This Book

A fascinating, little-known story of the massive explosion in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and A View of Delft and nearly killed Johannes Vermeer—two of the greatest artists of the 17th century. In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our view and understanding of the world is the heart of this book. Cumming has brought her unique eye to her most compelling subject yet. Featuring beautiful full-color images of Dutch paintings throughout.


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Reviews

"And of course it contains a whole gallery of verbal images, in addition to pictures of paintings."

Becca Rothfeld· The Washington Post Read review ↗ Top of the Pile

"Cumming suggests that we recall the past through pictures ..."

Ruth Bernard Yeazell· The New York Times Read review ↗ Top of the Pile

"Its thunderclap still echoes in my ears."

Diane Cole· The Wall Street Journal Read review ↗ Top of the Pile

"Cumming...draws us into another mystery that fascinates her: that of the brief life of the genius Fabritius, the painter of The Goldfinch, the chained bird that stares back at us from its prison of a perch ..."

Ysenda Maxtone Graham· The Times (UK) Read review ↗ Top of the Pile

"The reproductions of paintings throughout make it physically, too, a thing of splendour."

Daisy Dunn· The Times (UK) Read review ↗ Top of the Pile

"This is not art historical scholarship of the academic kind – there are no footnotes or references to sources beyond her own feelings and intuition."

Kathryn Hughes· The Guardian Read review ↗ Top of the Pile

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