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To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse

To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse

by Howard Fishman

Dutton ·2023 ·576 pages
Near the Top
Near the Top
I Index
74/99
Near the Top

70/99

Critics' Rating Index

Top of the Pile

78/99

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n/a

Scholars' Citation Index

77/99

Volume of Reviews

44/99

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About This Book

The mysterious true story of Connie Converse—a mid-century New York City songwriter, singer, and composer whose haunting music never found broad recognition—and one writer's quest to understand her life This is the mesmerizing story of an enigmatic life. When musician and New Yorker contributor Howard Fishman first heard Connie Converse's voice on a recording, he was convinced she could not be real. Her recordings were too good not to know, and too out of place for the 1950s to make sense—a singer who seemed to bridge the gap between traditional Americana (country, blues, folk, jazz, and gospel), the Great American Songbook, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. And then there was the bizarre legend about Connie Converse that had become the prevailing narrative of her life: that in 1974, at the age of fifty, she simply drove off one day and was never heard from again. Could this have been true? Who was Connie Converse, really? Supported by a dozen years of research, travel to everywhere she lived, and hundreds of extensive interviews, Fishman approaches Converse's story as both a fan and a journalist, and expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. Ultimately, he places her in the canon as a significant outsider artist, a missing link between a now old-fashioned kind of American music and the reflective, complex, arresting music that transformed the 1960s and music forever. But this is also a story of deeply secretive New England traditions, of a woman who fiercely strove for independence and success when the odds were against her; a story that includes suicide, mental illness, statistics, siblings, oil paintings, acoustic guitars, cross-country road trips, 1950s Greenwich Village, an America marching into the Cold War, questions about sexuality, and visionary, forward thinking about race, class, and conflict. It's a story and subject that is by turn hopeful, inspiring, melancholy, and chilling.


Reviews

"Fishman is not the first writer to attempt to chronicle the life of Converse and he won't be the last, though his portrait is the most complete so far."

Fiona Sturges· The Guardian Read review ↗ Near the Top

"Fishman lacked the vast public record most music biographers sift through."

Larry Blumenfeld· The Wall Street Journal Read review ↗ Top of the Pile

"Fishman is on firmer ground when he analyzes Converse's catalog ..."

Jeremy Lybarger· The New Republic Read review ↗ Near the Top

"Because so little is known about this private woman, Fishman is forced to engage in speculation about her influences, thoughts, and motivations, but his enthusiasm and diligence are infectious."

Kirkus Read review ↗ Near the Top

"Connie Converse may never reach the broad audience that those projects found; her music is gorgeous but low-key and elusive, like candid black-and-white photos from a time when everyone smoked indoors."

John Lingan· The Washington Post Read review ↗ Top of the Pile

"This should earn Converse some new fans."

Publishers Weekly Read review ↗ Near the Top

"Although its length is daunting, this tome is welcome."

Barry Zaslow· Library Journal Read review ↗ Top of the Pile

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