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Warhol

Warhol

by Blake Gopnik

Ecco ·2020 ·962 pages
Maybe Someday
Maybe Someday
I Index
44/99
Bottom of the Pile

16/99

Critics' Rating Index

Near the Top

72/99

Readers' Rating Index

n/a

Scholars' Citation Index

98/99

Volume of Reviews

48/99

Volume of Reader Ratings

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About This Book

When critics attacked Andy Warhol's Marilyn paintings as shallow, the Pop artist was happy to present himself as shallower still: He claimed that he silkscreened to avoid the hard work of painting, although he was actually a meticulous workaholic; in interviews he presented himself as a silly naïf when in private he was the canniest of sophisticates. Blake Gopnik's definitive biography digs deep into the contradictions and radical genius that led Andy Warhol to revolutionise our cultural world.Based on years of archival research and on interviews with hundreds of Warhol's surviving friends, lovers and enemies, Warhol traces the artist's path from his origins as the impoverished son of Eastern European immigrants in 1930s Pittsburgh, through his early success as a commercial illustrator and his groundbreaking pivot into fine art, to the society portraiture and popular celebrity of the '70s and '80s, as he reflected and responded to the changing dynamics of commerce and culture.Warhol sought out all the most glamorous figures of his times - Susan Sontag, Mick Jagger, the Barons de Rothschild - despite being burdened with an almost crippling shyness. Behind the public glitter of the artist's Factory, with its superstars, drag queens and socialites, there was a man who lived with his mother for much of his life and guarded the privacy of his home. He overcame the vicious homophobia of his youth to become a symbol of gay achievement, while always seeking the pleasures of traditional romance and coupledom. (Warhol explodes the myth of his asexuality.)Filled with new insights into the artist's work and personality, Warhol asks: Was he a joke or a genius, a radical or a social climber? As Warhol himself would have answered: Yes.


Reviews

"There is plenty of gossip, sleaze and desperation for Gopnik to feast on, and even some art."

Philip Delves Broughton· Financial Times Read review ↗ Top of the Pile

"the bio doesn't really hum until the 1960s—the Factory years ..."

Jeremy Lybarger· The New Republic Read review ↗ Maybe Someday

"to which the only intelligent response is a derisive: pig's bottom!"

Roger Lewis· The Times (UK) Read review ↗ Bottom of the Pile

"Gopnik concludes that Warhol has 'overtaken Picasso as the most important and influential artist of the twentieth century,' and now occupies 'the top peak of Parnassus, beside Michelangelo and Rembrandt.' This seems like a leap."

Mary Ann Gwinn· Newsday Read review ↗ Near the Top

"[a] rich, highly detailed tapestry ..."

Barbara Bamberger Scott· Bookreporter Read review ↗ Top of the Pile

"Gopnik's in-depth portrait is for the Warhol-initiated, who will gain new appreciation for the artist as the ultimate aesthetic 'sponge.'"

Maggie Taft· Booklist Read review ↗ Top of the Pile

"Gopnik expertly traces Warhol's technical and intellectual roots to his studies in painting and illustration at Pittsburgh's Carnegie Institute of Technology ..."

Dominic Green· The Wall Street Journal Read review ↗ Near the Top

"Certainly for those fascinated with Warhol, but equally for those seeking an in-depth yet accessible introduction to the artist."

Michael Dashkin· Library Journal Read review ↗ Near the Top

"Some small-bore skepticism along the way might have helped make the canonical judgment more credible."

Stephen Metcalf· Los Angeles Times Read review ↗ Near the Top

"Warhol would shrink to about twenty pages if he simply stated what happened and left it at that ..."

Gary Indiana· Harpers Read review ↗ Bottom of the Pile

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