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We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence

We Keep the Dead Close: A Murder at Harvard and a Half Century of Silence

by Becky Cooper

Grand Central Publishing ·2020 ·501 pages
Maybe Someday
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About This Book

Dive into a true crime narrative of an unsolved 1969 murder at Harvard, of obsession and love for a girl who dreamt of rising among men.You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget.1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.


Reviews

"We Keep the Dead Close by Becky Cooper is a brilliantly idiosyncratic variant of generic true crime, rather more a memoir than a conventional work of reportage, so structured that the revelation of the murderer is not the conclusion or even the most important feature of the book ..."

Joyce Carol Oates· New York Review of Books Read review ↗ Top of the Pile

"In addition to presenting a tense narrative, she delves into the phenomenon and morality of true crime fandom."

Publishers Weekly Read review ↗ Top of the Pile

"Admirably, Cooper tries to do two things — tell the story of Britton's murder and seek justice for her ..."

Rebekah Frumkin· The Washington Post Read review ↗ Near the Top

"[Cooper] carefully investigates every lead, reports every fact and contextualizes for the reader the culture that gave rise to the original story."

Marin Cogan· The Washington Post Read review ↗ Top of the Pile

"Reading We Keep the Dead Close is akin to what I imagine it would be like to dive into a trench at an archaeological site and start digging, not with a trowel, but with a snow shovel."

MAUREEN CORRIGAN· NPR Read review ↗ Near the Top

"a stunning achievement—a whodunit page turner with an unexpected ending that is both shocking and, sadly, a little disappointing ..."

Paul LaRosa· The New York Journal of Books Read review ↗ Top of the Pile

"She's smart enough to examine her own motives in searching for the truth about Jane's life ...The book is at its most solid when Jane's old friends talk about her—they are enduringly loyal—and their feelings seem to rub off on the author."

Kate Tuttle· The Boston Globe Read review ↗ Top of the Pile

"a compelling portrait of a woman's life cut short—as well as a fascinating exposé of a prestigious enclave within the country's most elite institution ..."

Emily Gray Tedrowe· USA Today Near the Top

"The book is strongest when we're empathizing with Jane—her romantic foibles, grappling with sexism within academia—rather than with the author."

Jessica Wakeman· BookPage Read review ↗ Top of the Pile

"Cooper describes her war room, covered with 'theories and photos, a map of Iran, a blueprint of an apartment building, all stuck to my cork boards with dissection needles,' she sounds like Carrie Mathison of Homeland, flirting with the porous boundary between commitment and mania ..."

Jane Kamensky· The Wall Street Journal Read review ↗ Near the Top

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