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What the Ermine Saw: The Extraordinary Journey of Leonardo da Vinci's Most Mysterious Portrait
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About This Book
In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine. More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the young mistress of Ludovico Sforza, duke of Milan. Her lover, a ruthless man, was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty but reflect his own political prowess. Indeed, with this beguiling painting--in which Gallerani holds a strange white ermine close to her breast--da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work's importance in its own time, no records of it have been found for the two hundred and fifty years it went missing. Author Eden Collinsworth illuminates the eventual history of this unique masterpiece, as it journeyed from one owner to the next--from the brutal Milanese duke to an unconventional noblewoman to Nazi high command, instructed by Hitler that it be added to his private collection. Along the way, it witnessed some of history's most immoral undertakings as well as some of its greatest advancements until it came to rest at the Czartoryski Musuem in Krakow, Poland where it is currently displayed. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price.
Reviews
"Inquisitive and with an eye for social commentary, Collinsworth moves at a dizzying pace: What century is it?"
"The scale and subsequent restitution of the Nazi art thefts make for an enthralling story, and Collinsworth widens her focus to tell absorbing tales of heroic curators and art historians who painstakingly reassembled Europe's cultural patrimony after the war."
"Collinsworth tells the story of an exceptionally beautiful painting across time."
"Though Collinsworth conveys the vicissitudes of European history and the enduring fascination of da Vinci's work, some of her anecdotes—including an allegation that Ludovico Sforza's wife 'found a numbing self-relief in sex orgies' and died soon after participating in one—strain credulity."
"Collinsworth goes into lush detail chronicling the colorful, often violent times when the work was created and reveals some fascinating biographical elements about da Vinci ..."
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