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When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines

When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines

by Graydon Carter; James Fox

Penguin Press ·2025 ·432 pages
New Release
Near the Top
Near the Top
I Index
52/99
Near the Top

57/99

Critics' Rating Index

Maybe Someday

46/99

Readers' Rating Index

n/a

Scholars' Citation Index

95/99

Volume of Reviews

94/99

Volume of Reader Ratings

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About This Book

From the pages of Vanity Fair to the red carpets of Hollywood, editor Graydon Carter's memoir revives the glamorous heyday of print magazines when they were at the vanguard of American cultureWhen Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated. With curiosity, fearlessness, and a love of recent history and glamour that would come to define his storied career in magazines, Carter succeeded in endearing himself to his editors, contributors, and readers, as well as many of the faces that would come to appear in Vanity Fair's pages. He went on to run the magazine with overwhelming success for the next two and a half decades.Filled with colorful memories and intimate details, When the Going Was Good is Graydon Carter's lively recounting of how he made his mark as one of the most talented editors in the business. Moving to New York from Canada, he worked at Time, Life, The New York Observer, and Spy, before catching the eye of Condé Nast chairman Si Newhouse, who pulled him in to run Vanity Fair. In Newhouse he found an unwavering champion, a loyal proprietor who gave Carter the editorial and financial freedom to thrive. Annie Leibovitz's photographs would come to define the look of the magazine, as would the "New Establishment" and annual Hollywood issues. Carter further planted a flag in Los Angeles with the legendary Vanity Fair Oscar party.With his inimitable voice and signature quip, he brings readers to lunches and dinners with the great and good of America, Britain, and Europe. He assembled one of the most formidable stables of writers and photographers under one roof, and here he re-creates in real time the steps he took to ensure Vanity Fair cemented its place as the epicenter of art, culture, business, and politics, even as digital media took hold. Charming, candid, and brimming with stories, When the Going Was Good perfectly captures the last golden age of print magazines from the inside out.


Reviews

"A snort of fine-grade nostalgia ..."

Virginia Heffernan· The Washington Post Read review ↗ Top of the Pile

"The prose is basic ..."

Dwight Garner· The New York Times Read review ↗ Near the Top

"In between the recountings of droll exploits and copious name-dropping, there's a ghost casting a pall from beginning to end: the death of American magazines as a source of power, taste, and money ..."

Jenny G. Zhang· Slate Read review ↗ Maybe Someday

"Details most readers will come for and Carter, who at 75 remains a symbol of magazine glamour and excess – a fact somehow vested in the whimsy and extravagance of his comic-book hair – doesn't short-change us ..."

Emma Brockes· The Guardian Read review ↗ Top of the Pile

"An engaging book for lovers of glossy magazines and the people who make them."

Peter Thornell· Library Journal Read review ↗ Near the Top

"Carter's wry tone and hard-won insights make this a must-read for aspiring journalists and those who lived through the good old days of print magazines."

Publishers Weekly Read review ↗ Top of the Pile

"Carter's delight in the chaos, effort, stress, and exhilaration of his editorships generate the effervescence and depth of this enthusiastically detailed chronicle."

Donna Seaman· Booklist Read review ↗ Near the Top

"Light-shedding, self-effacing, and tastefully dishy."

Nell Beram· Shelf Awareness Read review ↗ Top of the Pile

"Fox, known to be a great ordering force, has helped turn Carter's extremely un-Richardsian life into a winsome book—brisk, bright, and full of well-told anecdotes about bold- and semi-boldface names—without straying from Carter's aloof and sometimes chilly sybaritism."

Nathan Heller· The New Yorker Read review ↗ Top of the Pile

"Catnip for those of us still addicted to magazines, who still harbor the delusion that we'll get to that pile on the table as soon as we can."

Chris Vognar· Los Angeles Times Read review ↗ Near the Top

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