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Who Owns This Sentence? A History of Copyrights and Wrongs

Who Owns This Sentence? A History of Copyrights and Wrongs

by David Bellos and Alexandre Montagu

W. W. Norton & Company ·2024 ·384 pages ·History
Near the Top
Near the Top
I Index
53/99
Near the Top

74/99

Critics

Maybe Someday

32/99

Readers

n/a

Scholars

82/99

Rating

66/99

Volume

24/99

Rating

39/99

Volume

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About This Book

A fascinating and original history of an idea that now controls and monetizes almost everything we do. Copyright is everywhere. Your smartphone incorporates thousands of items of intellectual property. Someone owns the reproduction rights to photographs of your dining table. At this very moment, battles are raging over copyright in the output of artificial intelligence programs. Not only books but wallpaper, computer programs, pop songs, cartoon characters, snapshots, and cuddly toys are now deemed to be intellectual properties―making copyright a labyrinthine construction of laws with colorful and often baffling rationales covering almost all products of human creativity. It wasn't always so. Copyright has its roots in eighteenth-century London, where it was first established to limit printers' control of books. But a handful of little-noticed changes in the late twentieth century brought about a new enclosure of the cultural commons, concentrating ownership of immaterial goods in very few hands. Copyright's metastasis can't be understood without knowing its backstory, a long tangle of high ideals, low greed, opportunism, and word-mangling that allowed poems and novels (and now, even ringtones and databases) to be treated as if they were no different from farms and houses. Principled arguments against copyright arose from the start and nearly abolished it in the nineteenth century. Nonetheless, countless revisions have made copyright ever stronger. Who Owns This Sentence? is an often-humorous and always-enlightening cultural, legal, and global history of the idea that intangible things can be owned, and makes a persuasive case for seeing copyright as an engine of inequality in the twenty-first century.


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Reviews

"They themselves have a wry way with technical material; this is less Copyright for Dummies, like that endlessly extended, imitated and spoofed series, than for wits."

Alexandra Jacobs· The New York Times Read review ↗ Top of the Pile

"Lively, opinionated, and ultra-timely ..."

Louis Menand· The New Yorker Read review ↗ Top of the Pile

"The result is a compelling history of human creation, which for better or worse inevitably involves copying ..."

Madhavi Sunder· The Washington Post Read review ↗ Top of the Pile

"Our witty and learned duo...aim to clap the real plunderers in irons."

Boyd Tonkin· Financial Times Read review ↗ Top of the Pile

"As this thoughtful book shows, copyright law has been revised and rewritten according to changing need."

Dominic Green· The Wall Street Journal Read review ↗ Near the Top

"A gimlet-eyed analysis of a system that protects a corporate status quo at the expense of independent invention."

Kirkus Read review ↗ Near the Top

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