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Wifedom: Mrs. Orwell's Invisible Life

Wifedom: Mrs. Orwell's Invisible Life

by Anna Funder

Knopf ·2023 ·464 pages
Near the Top
Near the Top
I Index
55/99
Maybe Someday

39/99

Critics' Rating Index

Maybe Someday

39/99

Readers' Rating Index

Top of the Pile

88/99

Scholars' Citation Index

98/99

Volume of Reviews

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About This Book

This is the story of the marriage behind some of the most famous literary works of the 20th century —and a probing consideration of what it means to be a wife and a writer in the modern worldAt the end of summer 2017, Anna Funder found herself at a moment of peak overload. Family obligations and household responsibilities were crushing her soul and taking her away from her writing deadlines. She needed help, and George Orwell came to her rescue."I've always loved Orwell," Funder writes, "his self-deprecating humour, his laser vision about how power works, and who it works on." So after rereading and savoring books Orwell had written, she devoured six major biographies tracing his life and work. But then she read about his forgotten wife, and it was a revelation.Eileen O'Shaughnessy married Orwell in 1936. O'Shaughnessy was a writer herself, and her literary brilliance not only shaped Orwell's work, but her practical common sense saved his life. But why and how, Funder wondered, was she written out of their story? Using newly discovered letters from Eileen to her best friend, Funder re-creates the Orwells' marriage, through the Spanish Civil War and the Second World War in London. As she peeks behind the curtain of Orwell's private life she is led to question what it takes to be a writer—and what it is to be a wife.A breathtakingly intimate view of one of the most important literary marriages of the twentieth century, Wifedom speaks to our present moment as much as it illuminates the past. Genre-bending and utterly original, it is an ode to the unsung work of women everywhere.


Reviews

"Considering how little information Funder has to work with, Wifedom is a spectacular achievement of both scholarship and pure feeling"

Jessica Ferri· Los Angeles Times Read review ↗ Top of the Pile

"Funder does a virtuoso performance on the theme, adding personal memoir, some fictional reconstructions and a glittering sense of purpose ..."

Sarah Bakewell· The New York Times Read review ↗ Top of the Pile

"Funder believes Eileen is a woman in a box, a woman who needs rescuing from the bad actors of patriarchy ..."

Olivia Laing· The Guardian Read review ↗ Bottom of the Pile

"A dashing addition to a genre of books that bring out of obscurity the women (and occasional man) behind famous writers and artists."

Susan Wyndham· The Guardian Read review ↗ Top of the Pile

"It can't have been easy to write a quasi-biography of someone who was Wited Out of the historical record, but Funder has the receipts, and she shows them."

Chris Hewitt· The Minneapolis Star Tribune Read review ↗ Top of the Pile

"Making visible the extent of Eileen's influence on Orwell's life and work matters because the condition of 'wifedom,' understood as daily unpaid care work, continues to be distributed unfairly, falling mainly on women's shoulders."

Catherine Hollis· BookPage Read review ↗ Near the Top

"While reclaiming forgotten histories is important, Wifedom is not the homerun that Stasiland was."

Mia Levitin· The Irish Times Read review ↗ Maybe Someday

"Many passages left me wondering what Funder was trying to say ..."

Francine Prose· The Washington Post Read review ↗ Maybe Someday

"Not everyone will feel easy about the passages in which Funder allows herself to imagine what is going on inside Eileen's head."

Kathryn Hughes· The Times (UK) Read review ↗ Top of the Pile

"Funder insists early in the book that she chose not to write a novel about Eileen because she did not want to 'privilege my voice over hers' but this is frequently what she does ..."

Ben Clarke· The Chicago Review of Books Read review ↗ Maybe Someday

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