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Wild Thing: A Life of Paul Gauguin

Wild Thing: A Life of Paul Gauguin

by Sue Prideaux

W. W. Norton & Company ·2025 ·416 pages
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About This Book

An original and revealing portrait of the misunderstood French Post-Impressionist artist. Paul Gauguin's legend as a transgressive genius arises as much from his biography as his aesthetically daring Polynesian paintings. Gauguin is chiefly known for his pictures that eschewed convention, to celebrate the beauty of an indigenous people and their culture. In this gorgeously illustrated, myth-busting work, Sue Prideaux reveals that while Gauguin was a complicated man, his scandalous reputation is largely undeserved. Self-taught, Gauguin became a towering artist in his brief life, not just in painting but in ceramics and graphics. He fled the bustle of Paris for the beauty of Tahiti, where he lived simply and worked consistently to expose the tragic results of French Colonialism. Gauguin fought for the rights of Indigenous people, exposing French injustices and corruption in the local newspaper and acting as advocate for the Tahitian people in the French colonial courts. His unconventional career and bold, breathtaking art influenced not only Vincent van Gogh, but Matisse and Picasso. Wild Thing upends much of what we thought we knew about Gauguin through new primary research, including the resurfaced manuscript of Gauguin's most important writing, the untranslated memoir of Gauguin's son, and a sample of Gauguin's teeth that disproves the pernicious myth of his syphilis. In the first full biography of Paul Gauguin in thirty years, Sue Prideaux illuminates the extraordinary oeuvre of a visionary artist vital to the French avant-garde. The result is "a brilliantly readable and compassionate study of Gauguin—not just as a painter, sculptor, carver and potter, but as a human soul perpetually searching for what is always just out of reach" (Artemis Cooper, Spectator).


Reviews

"Prideaux's biography is a remarkable, important portrait of a career pursued in defiance of convention: fertile conditions for wrongdoing, yes, but also for a disturbing, thrilling—yes, even transcendent—vision."

Sarah Moorhouse· Los Angeles Review of Books Read review ↗ Top of the Pile

"Drawing as it does on both of these discoveries, Sue Prideaux's new biography has real bite ..."

Elizabeth Lowry· Times Literary Supplement Read review ↗ Top of the Pile

"Prideaux draws on new material to foreground the artist's earlier 'sexual abstinence' and loyalty to his wife, but it can feel as if she is overcompensating, and only makes his later exploits more jarring."

Nadia Beard· Financial Times Read review ↗ Top of the Pile

"She writes in a tone of exasperated, frustrated love, anxious to understand and slow to denounce ..."

Nikhil Krishnan· The Telegraph (UK) Read review ↗ Near the Top

"Gruesomely fascinating ..."

Anne Higonnet· The Wall Street Journal Read review ↗ Top of the Pile

"Your mileage may vary ..."

Hamilton Cain· The Minneapolis Star Tribune Read review ↗ Top of the Pile

"Prideaux examines the facts and contexts of the painter's South Sea life in greater detail than before, while refusing to begin to judge any of [Gaugin's] choices."

Tim Adams· The Guardian Read review ↗ Near the Top

"Metaphors leap off the page, to the extent that the careful reader may start to be suspicious as to how much they are being led to conclusions ..."

Gemma Tipton· The Irish Times Read review ↗ Near the Top

"Quite apart from possessing reserves of sympathy, she also has a feel for place, gleaned from visits to Gauguin's many adopted homelands."

Pratinav Anil· The Times (UK) Read review ↗ Top of the Pile

"In this century, Gauguin is regularly described as a child-molesting colonialist by those more eager to display their righteousness than understand the times in which he lived."

Artemis Cooper· The Spectator (UK) Read review ↗ Top of the Pile

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