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Wonderworks: The 25 Most Powerful Inventions in the History of Literature
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About This Book
This "fascinating" (Malcolm Gladwell, New York Times bestselling author of Outliers ) examination of literary inventions through the ages, from ancient Mesopotamia to Elena Ferrante, shows how writers have created technical breakthroughs—rivaling scientific inventions—and engineering enhancements to the human heart and mind. Literature is a technology like any other. And the writers we revere—from Homer, Shakespeare, Austen, and others—each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. Literature's great invention was to address problems we could not not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all. Wonderworks reviews the blueprints for twenty-five of the most significant developments in the history of literature. These inventions can be scientifically shown to alleviate grief, trauma, loneliness, anxiety, numbness, depression, pessimism, and ennui, while sparking creativity, courage, love, empathy, hope, joy, and positive change. They can be found throughout literature—from ancient Chinese lyrics to Shakespeare's plays, poetry to nursery rhymes and fairy tales, and crime novels to slave narratives. A "refreshing and remarkable" (Jay Parini, author of Borges and An Encounter ) exploration of the new literary field of story science, Wonderworks teaches you everything you wish you learned in your English class, and "contains many instances of critical insight....What's most interesting about this compendium is its understanding of imaginative representation as a technology" ( The New York Times ).
Reviews
"Wonderworks covers a lot of ground, and I'm only familiar with some of the authors he treats with, but the chapters on those I know well contain multiple falsehoods and/or misrepresentations ..."
"Specifically, the focus on the brain and literary allusions as well as references to deity as evidences of invention seems to portray there is no truth to the statements under examination."
"But there were also times when my word-loving heart started to shrivel and die...The facility with which he dispatches text after text sometimes reveals his critical chops, plus a persistent, easy glibness ..."
"Fletcher, professor of story science at Ohio State's Project Narrative, delivers an innovative take on storytelling that shows how stories 'plug into different regions of our brain.' ..."
"Reading good books doesn't just entertain us; it teaches us how to better use our brains and our emotions, as this lively treatise tells us."
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